Peter Breiner, Boris Lenko, Stano Paluch's ' "When? Newer?" was released on its scheduled release date, January 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Triango". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Slovakia. In terms of popularity, When? Newer? is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With When? Newer? by Peter Breiner, Boris Lenko, Stano Paluch having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
| Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM | ||
| Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Pride and Prejudice - Main Theme | Carl Davis, Valentina Lisitsa, BBC Concert Orchestra, Christopher Warren-Green | E♭ Major | 1 | 5B | 107 BPM | ||
| Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Luke Faulkner, Alexander Borodin | A Major | 1 | 11B | 72 BPM | ||
| Onegin's Toast (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| Dancing Doll - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | B♭ Major | 1 | 6B | 137 BPM | ||
| II. Largo | Antonín Dvořák, Peter Breiner | D♭ Major | 0 | 3B | 74 BPM | ||
| Taviani Brothers Suite: Ritorno a casa (From "Allonsanfàn") | Ennio Morricone, Marco Serino, Orchestra di Padova e del Veneto | E Minor | 2 | 9A | 111 BPM | ||
| 3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) | Franz Liszt, Nora von Marschall | B♭ Major | 0 | 6B | 85 BPM | ||
| 18 Études, Op. 109: No. 14, Refrain du gondolier | Friedrich Burgmüller, Carl Petersson | C Minor | 2 | 5A | 98 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| She Said I Am Sleeping | Neon Lilith, John Chen Fitzgerald, Sophia G Margot | F Major | 1 | 7B | 120 BPM | ||
| The Four Seasons Recomposed, Spring (After A. Vivaldi): II. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | D♭ Minor | 2 | 12A | 83 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| 3 Romances sans paroles, Op. 17, No. 3 | Gabriel Fauré, Thérèse Ryan, Francine Chabot | A Major | 0 | 11B | 85 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh | Carl Davis, Philharmonia Orchestra | C Minor | 1 | 5A | 68 BPM | ||
| Beethoven - 6 Ecossaises, WoO 83 | Ferruccio Busoni, Holger Groschopp | E♭ Major | 1 | 5B | 119 BPM | ||
| Peruvian Triste - Duo-Art 6323 | Carlos Valderrama, Peter Phillips | A Minor | 1 | 8A | 65 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Driftwood Dreams | Dustin Tomas | D Major | 0 | 10B | 89 BPM |