"Structural Adjustment" by John Halle, Common Sense Ensemble, Brad Lubman had its release date on January 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Common Sense by Common Sense Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Structural Adjustment is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Structural Adjustment by John Halle, Common Sense Ensemble, Brad Lubman is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Préludes, Book 1, L. 117 (Excerpts): No. 7, Ce qu'a vu le vent d'ouest | Claude Debussy, Jorge Federico Osorio | G Major | 2 | 9B | 92 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| DEAD Suite [d.e.a.d.] | 久石 譲 アンサンブル | A Major | 4 | 11B | 84 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | F Minor | 1 | 4A | 83 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | A Minor | 2 | 8A | 87 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
| Clarinet Concerto: II. Rather fast - Coda (Final Version) | Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti | C Major | 2 | 8B | 108 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | F Minor | 1 | 4A | 83 BPM | ||
| Second Childhood | John Halle, Matthew McCright | A♭ Major | 2 | 4B | 112 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| Dzonot: I. Luz vertical | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Alisa Weilerstein | F Minor | 0 | 4A | 67 BPM | ||
| Sphere['s] | John Halle, Friction Quartet | G Minor | 1 | 6A | 65 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | ||
| Coleman: Umoja | Imani Winds | D Major | 1 | 10B | 117 BPM | ||
| Lonely Lives | Eleni Karaindrou, Yannis Evangelatos, Dinos Hadjiiordanou | B Minor | 0 | 10A | 70 BPM | ||
| Three Essays: Second Essay (Echo) | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 140 BPM | ||
| Folkdance | Meredith Monk, Bruce Brubaker, Ursula Oppens | D Minor | 4 | 7A | 116 BPM | ||
| Gaze: II. Homage. Slow Tango, Habanera | John Halle, Tara Helen O'Connor, Margaret Kampmeier | A Minor | 0 | 8A | 69 BPM | ||
| String Quartet No. 3 "Mishima": II. November 25: Ichigaya | Philip Glass, Carducci String Quartet | F♯ Major | 0 | 2B | 86 BPM |