Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti's ' "Clarinet Concerto: II. Rather fast - Coda (Final Version)" was released on its scheduled release date, December 6, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 19 in Dances to a Black Pipe by Martin Fröst, Australian Chamber Orchestra, Richard Tognetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Clarinet Concerto: II. Rather fast - Coda (Final Version) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Clarinet Concerto: II. Rather fast - Coda (Final Version) by Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Clarinet Concerto, Op. 57, FS 129, CNW 43: Poco adagio - | Carl Nielsen, Martin Fröst, Lahti Symphony Orchestra, Osmo Vänskä | A♭ Minor | 0 | 1A | 95 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| II. Rather Fast | Aaron Copland, Martin Fröst, Malmö Symphony Orchestra, Lan Shui | A Minor | 1 | 8A | 142 BPM | ||
| Clarinet Quintet in B-Flat Major, Op. 34, J. 182: II. Fantasia. Adagio ma non troppo (Arr. J.-J. Kantorow for clarinet and strings) | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | E♭ Major | 0 | 5B | 131 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| I. Allegro (Arr. J.-J. Kantorow for clarinet and strings) | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | B♭ Major | 1 | 6B | 136 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano J. Sévilla-Fraysse): III. Minuet | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A Minor | 0 | 8A | 92 BPM | ||
| Souvenir d'un lieu cher, Op. 42, TH 116 (Arr. for Violin & Orchestra by Alexander Glazunov): No. 3, Mélodie | Pyotr Ilyich Tchaikovsky, Natalia Lomeiko, The Russian State Philharmonic, Valery Polyansky | E Minor | 0 | 9A | 82 BPM | ||
| No. 1, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Minor | 1 | 6A | 93 BPM | ||
| 4 Lieder, Op. 82, B. 157: I. Lasst mich allein. Andante (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists, Otto Tolonen | B Major | 0 | 1B | 140 BPM | ||
| Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale | Bernhard Henrik Crusell, Martin Fröst, Gothenburg Symphony Orchestra, Okko Kamu | A♭ Major | 0 | 4B | 115 BPM | ||
| Auf Flügeln des Gesanges, Op. 34, No. 2 | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | D Major | 0 | 10B | 92 BPM | ||
| 5 Lieder und Gesänge, Op. 127: No. 1, Sängers Trost | Robert Schumann, Martin Fröst, Roland Pöntinen | A Major | 1 | 11B | 79 BPM | ||
| Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 85 BPM | ||
| Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
| The Shape of Water | Renaud Capuçon, Les Siècles, Duncan Ward | A Minor | 1 | 8A | 69 BPM | ||
| Klezmer Dances | Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | D Minor | 2 | 7A | 90 BPM | ||
| 5 Lieder, Op. 105: No. 2, Immer leiser wird mein Schlummer (Arr. M. Frost) | Johannes Brahms, Martin Fröst, Roland Pöntinen | A Minor | 1 | 8A | 96 BPM | ||
| 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. M. Frost) | Johannes Brahms, Martin Fröst, Roland Pöntinen | F Major | 0 | 7B | 70 BPM | ||
| Mighty Powers | Henry Purcell, David Orlowsky, David Bergmüller | D♭ Major | 2 | 3B | 130 BPM | ||
| 5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM |