Bibhu Kishore's ' "Chand Anichi" was released on its scheduled release date, December 12, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 8 in Ea Gauraa by Sarat Nayak. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Chand Anichi is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chand Anichi by Bibhu Kishore is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mana Mora Eka Kagajara Naa | BISHNU MOHAN KABI | E Major | 8 | 12B | 116 BPM | ||
| Jhuli Jhuli Asuchhe Maa Samalei | Satrughna Luha, Shailabhama | F♯ Major | 9 | 2B | 143 BPM | ||
| Prema Kale Bele Bele Emiti Huye | Suresh Wadkar, Pamela Jain | F Minor | 7 | 4A | 84 BPM | ||
| Akhi Tora Akhi Mui Rahijibi | Duleswar Tandi | B Minor | 8 | 10A | 81 BPM | ||
| Barsha Ho Barsha | Ira Mohanty, T. Souri | G Major | 8 | 9B | 87 BPM | ||
| Hi Mo Radha Ratisara Soinahin | Ira Mohanty | A♭ Major | 8 | 4B | 172 BPM | ||
| Tu Janu Mo Na Re | Mohammed Aziz, Suresh Wadkar | F♯ Minor | 6 | 11A | 177 BPM | ||
| Gori Tere Roop Ki To Dhoop Si Khile | Uttar Kumar, Santram Banjara, Suman Negi, Kalpana Chauhwan, Pushpa | C Major | 8 | 8B | 134 BPM | ||
| Kaudi Kaudi Kaudi | Anjali Mishra | F Minor | 7 | 4A | 191 BPM | ||
| Chance Mara Byasha | Bibhu Kishore, J Navia | D Minor | 9 | 7A | 111 BPM | ||
| To Lagi Gopa Danda | Subas Das | B♭ Minor | 8 | 3A | 127 BPM | ||
| To Aakhire Mun Mo Aakhire Tu | Nibedita | G Major | 10 | 9B | 134 BPM | ||
| Ajana Se Batare | Subhasish Mahakud | D♭ Major | 9 | 3B | 115 BPM | ||
| Tuma Parika Jhianku Hajare Namaskar | Bibhu Kishore | F Minor | 8 | 4A | 131 BPM | ||
| Aa Lo Aakasha Re Udiba | Ira Mohanty, Bibhu Kishore | G Major | 9 | 9B | 123 BPM | ||
| Hata Kati Rakatare Lekhi Deli Mu - Female Version | Tapu Mishra | D Minor | 7 | 7A | 92 BPM | ||
| Pheria Mo Suna | Sailabhama, Shakti Mishra | A Minor | 8 | 8A | 88 BPM | ||
| Thank You Bhagwan | T. Souri | D Major | 8 | 10B | 100 BPM | ||
| Tora Lamba Beni | Shakti Mishra | C Major | 8 | 8B | 78 BPM | ||
| Heena Re I Love You | Old Sambalpuri | A Major | 9 | 11B | 81 BPM | ||
| Nari Tuhi Devi (From "Suhaga Sindura") | Md. Aziz | A Major | 7 | 11B | 81 BPM | ||
| Chand Anichi | Bibhu Kishore | B♭ Minor | 8 | 3A | 174 BPM | ||
| Jhumi Jhumi Jauchi | Shasank Sekhar | E Major | 8 | 12B | 116 BPM | ||
| Kiaa Phula Basuchhi Lo | Narendra Kumar | F Minor | 4 | 4A | 127 BPM | ||
| Khata Hela Pachhe Handika Dahi | Md.Aziz | A♭ Major | 6 | 4B | 174 BPM |