David Rendall's ' "Rahadlakum Dance" was released on its scheduled release date, May 27, 1997. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Original Studio Cast's "Kismet: Complete Recording (First Complete Recording All Star Cast)" album is number 6 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Rahadlakum Dance is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rahadlakum Dance by David Rendall to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D♭ Major | 2 | 3B | 60 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| Macbeth / Act II: Scena: "Perché mi sfuggi" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
| 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | D♭ Major | 2 | 3B | 60 BPM | ||
| Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 5, Be merciful, be gracious' spare him, Lord (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Die Fledermaus, Act I: Introduktion. Täubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Friedrich Haider, Chen Reiss, Rainer Trost, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Mary Stuart, A. 43, In. 52, Act II: Bid her welcome! (Dudley, Elizabeth, Talbot, Mary) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Janet Baker, David Rendall, Rosalind Plowright, John Tomlinson | D♭ Major | 1 | 3B | 81 BPM | ||
| Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Daniel Barenboim, Ann Murray, Choeur de l'Orchestre de Paris, David Rendall, Kathleen Battle, Matti Salminen, Orchestre de Paris | G Minor | 3 | 6A | 84 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Never More Will Come Again Those Days of Youth (Finale Act Three) | Bonaventura Bottone | B♭ Major | 4 | 6B | 71 BPM | ||
| Grande messe des morts, Op. 5, H. 75 "Requiem": IX. Sanctus (Live) | Hector Berlioz, David Rendall, WDR Rundfunkchor Köln, SWR Vokalensemble Stuttgart, Chor der Württembergischen Staatsoper Stuttgart, Radio Sinfonieorchester Stuttgart des SWR, Michael Gielen | D♭ Major | 2 | 3B | 60 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| The Apostles, Op. 49, Part I. By the Wayside: This shall ye have of Mine hand (Mary Magdalene) | Edward Elgar, Richard Hickox, London Symphony Orchestra, Alfreda Hodgson, Stephen Roberts, David Rendall, Bryn Terfel, Robert Lloyd, London Symphony Chorus | A♭ Major | 1 | 4B | 145 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Das klagende Lied: Der Spielmann | Gustav Mahler, Julia Hamari, Rose Wagermann, David Rendall, Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio Chorus, Rafael Kubelík | D♭ Major | 2 | 3B | 60 BPM | ||
| Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 106 BPM | ||
| Finale Act Two | David Rendall | G Major | 2 | 9B | 90 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Hymn of Betrothal | Original Studio Cast of Song of Norway, David Rendall, Elizabeth Bainbridge, Chorus of Song of Norway | F Major | 2 | 7B | 122 BPM | ||
| Duparc: Chanson triste | Henri Duparc, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | E♭ Major | 0 | 5B | 100 BPM | ||
| Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Neil Howlett, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | F♯ Minor | 3 | 11A | 81 BPM |