P.Kalinga Rao's ' "Keluvudellede" was released on its scheduled release date, October 14, 2021. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "P Kalinga Rao Shathamanothsava - 2014 Vol-1". In this album, this song's track order is #11. Furthermore, we believe that the track originated from India. In terms of popularity, Keluvudellede is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Keluvudellede by P.Kalinga Rao having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| Ayyappa Ninnaya | S. P. Balasubrahmanyam, M.S. Vishwanath, Vijaya Narasimha | A Minor | 4 | 8A | 108 BPM | ||
| Hentha Kaligala Idu | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM | ||
| Arey Ghaligeyu Ninna | Vidyabhushana, H. L. Sheshachandra | F Major | 6 | 7B | 108 BPM | ||
| Koogidaru Dhwani Kelade | Venkatesh Kumar | B♭ Minor | 6 | 3A | 98 BPM | ||
| Priya Madhuvanadali | B. R. Chaya, P.Kalinga Rao, Kumtekar | F Major | 8 | 7B | 115 BPM | ||
| Jagavanne Belagu | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Yarige Helali | H. B. Fareet | G Major | 4 | 9B | 100 BPM | ||
| Kundanada Peetadalli | S. P. Balasubrahmanyam, Vidyabhushana, Puttur Narasimha Nayak | A Minor | 5 | 8A | 150 BPM | ||
| Sandyaga Hindinda | H. B. Fareet, Nandita | A Major | 3 | 11B | 120 BPM | ||
| Me Ladki Ladki | Manjula Gururaj, Hamsalekha | E♭ Minor | 4 | 2A | 92 BPM | ||
| Indu Mangala Vaara | Rajkumar | G Major | 3 | 9B | 148 BPM | ||
| Anthintha Hennu | P.Kalinga Rao | D Major | 4 | 10B | 178 BPM | ||
| Ondh Hejje Navu | Fayaz Khan, Hamsalekha | B♭ Major | 7 | 6B | 94 BPM | ||
| Maha Poojyanavva - Studio | Surekha, Shamitha | D Major | 5 | 10B | 87 BPM | ||
| Tujhi Aan Vahin Ga | Baba Maharaj Satarkar | E Minor | 8 | 9A | 100 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Chitta Nirantar | Koili Devi | A Major | 4 | 11B | 96 BPM | ||
| Allyaka Hudukuti | Chennaveera Gavayi | F Major | 6 | 7B | 129 BPM | ||
| Karunaalu Baa Belake | Rathnamala Prakash | B♭ Major | 4 | 6B | 150 BPM | ||
| Venunaadapriya | Venkatesh Kumar | F Minor | 6 | 4A | 106 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| O Nagor Koiya Jao | Gostho Gopal Das | F Major | 5 | 7B | 112 BPM | ||
| Appenaa Rooppone Katileshwari... | Puttur Narasimha Nayak | F♯ Major | 7 | 2B | 175 BPM |