Suite No. 6 in G Major, R. 126-134: III. Courante, R. 128 by Gottlieb Muffat, Mitzi Meyerson Song Details

Gottlieb Muffat, Mitzi Meyerson's ' "Suite No. 6 in G Major, R. 126-134: III. Courante, R. 128" was released on its scheduled release date, January 1, 2009. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Suite No. 6 in G Major, R. 126-134: III. Courante, R. 128's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 19 out of 51. On top of that, Spain appears to be the country where this track was created. Suite No. 6 in G Major, R. 126-134: III. Courante, R. 128 is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

We consider the tempo marking of Suite No. 6 in G Major, R. 126-134: III. Courante, R. 128 by Gottlieb Muffat, Mitzi Meyerson to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.408 dB
Acousticness: 88%
Danceability: 19%
Energy: 35%
Instrumentalness: 29%
Liveness: 8%
Loudness: 71%
Speechiness: 3%
Valence: 78%

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