A Boy Was Born, Op. 3: Variation I: Lullay, Jesu by Benjamin Britten, The Sixteen, Harry Christophers, John Scott Song Details

"A Boy Was Born, Op. 3: Variation I: Lullay, Jesu" by Benjamin Britten, The Sixteen, Harry Christophers, John Scott had its release date on October 1, 2005. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 21 out of 26 in A Ceremony Of Carols - Britten Choral Works II by Benjamin Britten, The Sixteen, Harry Christophers. A Boy Was Born, Op. 3: Variation I: Lullay, Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of A Boy Was Born, Op. 3: Variation I: Lullay, Jesu by Benjamin Britten, The Sixteen, Harry Christophers, John Scott is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 19%
Loudness: -26.244 dB
Acousticness: 99%
Danceability: 11%
Energy: 4%
Instrumentalness: 1%
Liveness: 5%
Loudness: 56%
Speechiness: 5%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato	Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus	B♭ Minor	0	3A	133 BPM
O Waly Waly	Traditional, Sir Peter Pears, Benjamin Britten	A Major	0	11B	86 BPM
Roman Festivals: IV. La Befana	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert	G Major	0	9B	127 BPM
Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit"	Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell	A♭ Major	1	4B	140 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM
Mass for Double Choir: V. Agnus dei	Frank Martin, Westminster Choir, Joe Miller	D Major	1	10B	83 BPM
Simple Symphony, Op. 4: IV. Frolicsome Finale	Benjamin Britten, English Chamber Orchestra	G Major	4	9B	78 BPM
Stabat Mater: Stabat Mater: IV. Quae moerebat et dolebat	Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra	A♭ Major	1	4B	92 BPM
Suite pastorale: II. Danse villageoise	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	1	11B	126 BPM
Requiem, Op. 9: II. Kyrie	Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra	F Major	2	7B	70 BPM
Ravel: Suite No. 2 from Daphnis et Chloé, M. 57: II. Pantomime	Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	D♭ Minor	0	12A	137 BPM
Petrouchka: Fête populaire de la semaine grasse	Ferenc Fricsay, Berliner Philharmoniker	B♭ Major	5	6B	73 BPM
Fauré: Requiem, Op. 48: V. Agnus Dei	Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra	G Major	3	9B	100 BPM
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme	Benjamin Britten, English Chamber Orchestra	F Major	0	7B	84 BPM
Christus factus est	Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique	D Minor	0	7A	173 BPM
Miroirs, M. 43: No. 3, Une barque sur l'ocean (Version for Orchestra)	Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno	A Major	0	11B	134 BPM
Peter Grimes, Op.33 / Prologue: Interlude I: On the beach	Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden	D Major	1	10B	87 BPM
Five Mystical Songs: 5. Antiphon	Ralph Vaughan Williams, Michael Leighton Jones, Jonathan Bradley, The Choir of Trinity College, Melbourne, Tinalley String Quartet	E♭ Major	3	5B	57 BPM
Stanford: The Blue Bird	Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier	F♯ Major	0	2B	70 BPM
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree	Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu	B♭ Major	0	6B	86 BPM
Requiem, Op. 9: IV. Sanctus	Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet	B♭ Major	0	6B	131 BPM
Petrouchka / Tableau I: Fête populaire de la semaine grasse	Igor Stravinsky, Cleveland Orchestra, Pierre Boulez	D Minor	2	7A	116 BPM
Quatuor pour la fin du Temps: IV. Intermède	Olivier Messiaen, Martin Fröst	F♯ Major	2	2B	96 BPM
A Shropshire Lad	George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult	F Minor	1	4A	88 BPM
Rest	Ralph Vaughan Williams, Tenebrae, Nigel Short	E♭ Major	0	5B	141 BPM