Rolfe Kent's ' "Schmidt to Denver" was released on its scheduled release date, December 20, 2002. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 23 in About Schmidt (Original Motion Picture Soundtrack) by Rolfe Kent. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Schmidt to Denver is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Schmidt to Denver by Rolfe Kent is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Orient Express | Patrick Doyle | A♭ Major | 4 | 4B | 82 BPM | ||
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Reprise / Fly Away | John Ottman | E Minor | 3 | 9A | 64 BPM | ||
| The Long Walk Alone (Heisenberg’s Theme) | Dave Porter | G Minor | 2 | 6A | 78 BPM | ||
| Main Title/The Immigrant | Nino Rota, Carmine Coppola | G Major | 2 | 9B | 67 BPM | ||
| SimCity Theme | Chris Tilton | C Minor | 3 | 5A | 155 BPM | ||
| A Different Man - End Credits Suite | Umberto Smerilli | E♭ Major | 1 | 5B | 93 BPM | ||
| Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
| Planting the Seed | David Holmes | B♭ Minor | 6 | 3A | 108 BPM | ||
| Winston And George | Dario Marianelli, Víkingur Ólafsson | F♯ Major | 0 | 2B | 114 BPM | ||
| The So Called Memories - By Myself For A While | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
| The Pink Panther Theme - From "The Pink Panther" | Henry Mancini, Plas Johnson | F Major | 2 | 7B | 116 BPM | ||
| His Name Is Napoleon Solo | Daniel Pemberton | F Major | 3 | 7B | 82 BPM | ||
| The Streak | Mychael Danna | C Major | 1 | 8B | 131 BPM | ||
| A Beautiful Mine (Mad Men Theme) | David Carbonara | D Minor | 5 | 7A | 172 BPM | ||
| The Big Heist | Henry Mancini | C Major | 2 | 8B | 121 BPM | ||
| No More Questions Phoning The Director | David Shire | B♭ Major | 2 | 6B | 78 BPM | ||
| Penelope at Night | Rachel Portman | E Minor | 1 | 9A | 114 BPM | ||
| Rome (Main Title Theme) | Jeff Beal | E Minor | 5 | 9A | 117 BPM | ||
| Wide Horizon / Ice Floe | Pierre Arvay | C Major | 2 | 8B | 92 BPM | ||
| Dead Freight | Dave Porter | D Major | 7 | 10B | 111 BPM | ||
| Valerie | Dario Marianelli | D♭ Major | 1 | 3B | 71 BPM | ||
| Picnic | Rolfe Kent | D Major | 5 | 10B | 145 BPM | ||
| The End Of The Day | David Shire | F Major | 3 | 7B | 78 BPM |