"Madame Pompadour, Act I: Duet. Mein Prinzesschen' (Pompadour, Rene)" by Leo Fall, Symphonieorchester der Volksoper Wien, Annette Dasch, Mirko Roschkowski, Orchester der Wiener Staatsoper, Andreas Schuller had its release date on March 4, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 18 in Fall: Madame Pompadour by Leo Fall, Andreas Schuller, Symphonieorchester der Volksoper Wien, Orchester der Wiener Staatsoper. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Madame Pompadour, Act I: Duet. Mein Prinzesschen' (Pompadour, Rene) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Madame Pompadour, Act I: Duet. Mein Prinzesschen' (Pompadour, Rene) by Leo Fall, Symphonieorchester der Volksoper Wien, Annette Dasch, Mirko Roschkowski, Orchester der Wiener Staatsoper, Andreas Schuller is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madame Pompadour, Act II: Introduction - Ensemble (Collin, Der österreichische Gesandte, Boucher, Tourelle, Maurepas, Choir) | Leo Fall, Symphonieorchester der Volksoper Wien, Georg Wacks, Joachim Moser, Marian Olszewski, Mamuka Nikolaishvili, Gerhard Ernst, Vienna Volksoper Chorus, Orchester der Wiener Staatsoper, Andreas Schuller | E Major | 1 | 12B | 75 BPM | ||
| L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
| Die Dollarprinzessin, Act I: Will meine Schülerin geruh'n ein Zeugnis mir zu geben nun? (Live) | Leo Fall, Magdalena Hinterdobler, Ralf Simon, Munich Radio Orchestra, Ulf Schirmer | F Major | 2 | 7B | 130 BPM | ||
| Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
| Alice E Coro Delle Dattilografe | A.M.Willner and Fritz Grunbaum, Leo Fall, Cesare Gallino | G Major | 2 | 9B | 151 BPM | ||
| Carmen, Act IV: Qu'avez-vous fait de la Carmencita? – March & Chorus. Les voici! les voici! | Georges Bizet, Jean-Noel Sissia, Isabelle Karajan, David Clair, Claudine Coster, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Choeur de l'Opéra de Paris, Walter Hagen-Groll | F Minor | 1 | 4A | 95 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Die Dollarprinzessin: Hipp, hipp, hurra!... Amerika, gib acht! | Leo Fall, Rita Bartos, Willy Hofmann, Andre Paysang, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 4 | 12B | 128 BPM | ||
| I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM | ||
| Fall: Madame Pompadour: "Stillgestanden! Kerzengerade! " - "Ich bin dein Untertan" | Leo Fall, Melitta Muszely, Karl-Ernst Mercker, Werner Schmidt-Boelcke, Rudolf Schock, FFB-Orchester | A Major | 3 | 11B | 130 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Cantiamo, facciam brindisi" (Belcore, Dulcamara, Giannetta, Adina, Coro) | Gaetano Donizetti, Marcello Viotti, Bruno Praticò, Francesca Provvisionato, Mariella Devia, Pietro Spagnoli, Tallis Chamber Choir, English Chamber Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| Don Pasquale - What an Interminable Coming and Going | Gaetano Donizetti, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B♭ Major | 1 | 6B | 139 BPM | ||
| Il trovatore: Gitanilla | Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić | F Major | 1 | 7B | 116 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Introduktion (Reiseführer) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 4 | 6B | 96 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Kálmán: "Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Die Kaiserin, Act I: Wir sind drei feine Diplomaten | Leo Fall, Claudiu Sola, Severin Prassl, Christoph Ungerböck, Marius Burkert, Franz Lehár Orchester | E♭ Major | 1 | 5B | 99 BPM | ||
| Madame Pompadour, Act II: Finale. Gewehr heraus! Der König (Calicot, König, Collin, Pompadour, Choir) | Leo Fall, Boris Pfeifer, Symphonieorchester der Volksoper Wien, Heinz Zednik, Georg Wacks, Annette Dasch, Vienna Volksoper Chorus, Orchester der Wiener Staatsoper, Andreas Schuller | G Major | 2 | 9B | 89 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Der fidele Bauer, Act II "Der Professor": Tanz-Duet | Leo Fall, Laura Scherwitzl, Rupert Bergmann, Franz Lehár Orchester, Vinzenz Praxmarer | F Major | 2 | 7B | 81 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM |