"Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): No. 3, Tranquillo" by Benjamin Britten, Tabea Zimmermann, Ensemble Resonanz had its release date on November 7, 2025. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 23 in Enescu: String Octet, Op. 7 – Britten: Lachrymae, Op. 48a (Versions for string orchestra) by Tabea Zimmermann, Ensemble Resonanz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): No. 3, Tranquillo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): No. 3, Tranquillo by Benjamin Britten, Tabea Zimmermann, Ensemble Resonanz is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pärt: 7 Magnificat-Antiphonen: No. 7, O Immanuel (1991 Version) | Arvo Pärt, Vasari Singers, Jeremy Backhouse | D♭ Minor | 1 | 12A | 101 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Clairières dans le ciel für Sopran und Klavier: No. 8, Vous m'avez regardé avec toute votre âme - 1914 | Lili Boulanger, Ehrbar Ensemble, Gerrit Zitterbart, Heidrun Blase | N/A | N/A | N/A | 0 BPM | ||
| 3 Sacred Hymns: 3. Our Father | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E Minor | 1 | 9A | 68 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| When Breathing like a Bird | Gittan Glans, Allmänna Sången, Maria Goundorina | D Major | 2 | 10B | 120 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Sir Roger Norrington, London Classical Players | C Minor | 0 | 5A | 142 BPM | ||
| Lotti : Crucifixus a 8 | Antonio Lotti, Edward Higginbottom | C Minor | 1 | 5A | 178 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
| Masses, Book 2: Missa Papae Marcelli: Kyrie | Giovanni Pierluigi da Palestrina, Oxford Camerata, Jeremy Summerly | A Major | 2 | 11B | 59 BPM | ||
| A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra | G Major | 2 | 9B | 89 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| Roussel: Bacchus et Ariane, Suite No. 2, Op. 43: Prélude. Ariane dort (Andante) | Albert Roussel, Georges Prêtre, Orchestre National De France | F Major | 0 | 7B | 90 BPM | ||
| Requiem, Op. 9: Introit | Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus | F Major | 1 | 7B | 130 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| War Requiem, Op. 66: II. Dies irae: d. Out there, We've Walked quite Friendly up to Death | Benjamin Britten, Sir Peter Pears, Dietrich Fischer-Dieskau, Melos Ensemble | A Minor | 2 | 8A | 126 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Saint Nicolas, Op. 42: The Birth Of Nicolas | Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Minor | 1 | 7A | 171 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM |