"Lamentationes Jeremiae Prophetae, Prima die: Lectio tertia" by Emilio de' Cavalieri, Profeti Della Quinta had its release date on September 15, 2023. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 3 out of 19 in Cavalieri: Lamentationes Jeremiae Prophetae by Emilio de' Cavalieri, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Lamentationes Jeremiae Prophetae, Prima die: Lectio tertia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamentationes Jeremiae Prophetae, Prima die: Lectio tertia by Emilio de' Cavalieri, Profeti Della Quinta is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 81 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM | ||
| De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 94 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | F Major | 0 | 7B | 87 BPM | ||
| Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial | G Major | 1 | 9B | 75 BPM | ||
| Requiem: Versa Est | Tomás Luis de Victoria, Armonico Consort, Christopher Monks | E Minor | 0 | 9A | 72 BPM | ||
| 2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
| Threni: De Elegia Tertia: I. Querimonia | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Guy Cutting, Thomas Walker, Tobias Berndt, Stephan MacLeod | F Major | 0 | 7B | 87 BPM | ||
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
| Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
| Cessez mortels de soupirer | Pierre Guédron, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 109 BPM | ||
| Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 92 BPM | ||
| Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
| Campra: Messe de requiem: VI. Agnus Dei | André Campra, John Eliot Gardiner, The Monteverdi Choir, Wynford Evans, English Baroque Soloists | A♭ Major | 0 | 4B | 83 BPM | ||
| Lachrimæ Veræ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 90 BPM | ||
| La déploration [sur la mort] de Johannes Ockeghem, IJ. 66: Nymphes des bois - Requiem æternam | Josquin des Prez, Cappella Amsterdam, Daniel Reuss | C Major | 1 | 8B | 128 BPM | ||
| Music, the Master of thy Art is Dead | William Lawes, Robin Pharo, Ensemble Près de votre oreille | D Major | 1 | 10B | 74 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM | ||
| Missa si Deus pro nobis, a 16 voci: III. Kyrie eleison II | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 2 | 8A | 82 BPM | ||
| 4e livre de viole: Caprice ou Sonate (Lent, très légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | A♭ Minor | 1 | 1A | 113 BPM | ||
| Rappresentatione di anima et di corpo, Atto III Scena 6: "Alma, la pena e'l danno" (Il Consiglio) | Emilio de' Cavalieri, Gyula Orendt, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs | G Major | 2 | 9B | 137 BPM |