Ralph Benatzky, Kleines Wiener Rundfunkorchester, Heinz Sandauer's ' "Axel an der Himmelstür: Introduktion 1" was released on its scheduled release date, November 4, 2014. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Axel an der Himmelstür: Introduktion 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 48 in Benatzky: Axel an der Himmelstür by Ralph Benatzky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Axel an der Himmelstür: Introduktion 1 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Axel an der Himmelstür: Introduktion 1 by Ralph Benatzky, Kleines Wiener Rundfunkorchester, Heinz Sandauer is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get Me to the Church on Time | Frederick Loewe, André Rieu, Johann Strauss Orchestra | G Major | 5 | 9B | 117 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Tritsch-Tratsch Polka | 101 Strings Orchestra | A Major | 4 | 11B | 74 BPM | ||
| Frühlingsstimmenwalzer | Vienna Walzer Orchestra | C Minor | 1 | 5A | 104 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | G Major | 4 | 9B | 168 BPM | ||
| Persian March, Op. 289 | Johann Strauss, Bonn Classic Ensemble | A Minor | 2 | 8A | 178 BPM | ||
| The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
| Das Veilchenmädel: Fidele Brüder | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | A Major | 3 | 11B | 102 BPM | ||
| Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
| Im weissen Rössl: "Es muss was Wunderbares sein, von dir geliebt zu werden" (Josepha, Leopold) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Willy Hofmann | A♭ Major | 2 | 4B | 95 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Treasure Waltz | Johann Strauss II, André Rieu | F♯ Major | 3 | 2B | 76 BPM | ||
| Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
| L'Auberge du Cheval Blanc: Mon chant d'amour est une valse | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Bernard Plantey, Huguette Boulangeot | D♭ Major | 3 | 3B | 86 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Die lustigen Dorfschmiede, Op. 218: Die lustigen Dorfschmiede, Op. 218 | Julius Fučík, Neeme Järvi, Royal Scottish National Orchestra | C Major | 2 | 8B | 126 BPM | ||
| Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Dritter Akt: Tausend kleine Engel singen (Sylva - Stasi - Edwin - Boni) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | D Major | 2 | 10B | 80 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| Czardas from 'Coppelia' | London Philharmonic Orchestra | D Major | 3 | 10B | 141 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
| Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM |