"Liarsenic: Creating A Universe Of Discourse" by Norma Jean had its release date on January 1, 2005. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "O God, The Aftermath". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Liarsenic: Creating A Universe Of Discourse is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liarsenic: Creating A Universe Of Discourse by Norma Jean having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gauntlet of Solitude | The Devil Wears Prada | G Major | 10 | 9B | 200 BPM | ||
| She Speaks to Me | Blood Has Been Shed | F♯ Major | 9 | 2B | 184 BPM | ||
| In Reflection | Hopesfall | G Major | 10 | 9B | 109 BPM | ||
| Stupid? | Dead To Fall | F♯ Major | 10 | 2B | 113 BPM | ||
| Two Tabs of Mescaline | Glassjaw | B♭ Major | 3 | 6B | 144 BPM | ||
| Lycanthropy | Fear Before The March Of Flames | D Major | 9 | 10B | 180 BPM | ||
| I Wouldn't If You Didn't | The Dillinger Escape Plan | A Major | 10 | 11B | 130 BPM | ||
| Creating Something Out Of Nothing Only To Destroy It | Norma Jean | F Minor | 10 | 4A | 97 BPM | ||
| Daggers | The Chariot | A Minor | 10 | 8A | 127 BPM | ||
| Off Broadway | Every Time I Die | D Major | 10 | 10B | 92 BPM | ||
| Frequency Ass Bandit | Botch | G Major | 10 | 9B | 159 BPM | ||
| She Looks Good In Velvet | Eighteen Visions | G Major | 7 | 9B | 140 BPM | ||
| Empty Shell | Into The Moat | D♭ Major | 9 | 3B | 124 BPM | ||
| Rings From Corona | Poison The Well | C Major | 10 | 8B | 124 BPM | ||
| A Wish For Wings That Work | Poison The Well | C Major | 8 | 8B | 126 BPM | ||
| Eating Lightning Pt. I | The Jonbenét | D♭ Major | 10 | 3B | 170 BPM | ||
| Blueprints For Future Homes | Norma Jean | E♭ Minor | 10 | 2A | 182 BPM | ||
| Zombies Are Good for Your Health | Poison The Well | F Minor | 10 | 4A | 132 BPM | ||
| Transitions from Persona to Object | Botch | G Major | 10 | 9B | 159 BPM | ||
| If You Got It At Five, You Got It At Fifty | Norma Jean | F♯ Major | 10 | 2B | 156 BPM | ||
| Surreal Atrocites | A Life Once Lost | D Major | 10 | 10B | 145 BPM | ||
| Rehashed | A Life Once Lost | D Major | 10 | 10B | 153 BPM | ||
| Serpent Sickness | He Is Legend | E Minor | 10 | 9A | 110 BPM | ||
| Decoys Like Curves | Hopesfall | A Major | 9 | 11B | 92 BPM | ||
| There Could Be Nothing After This | Underoath | D Minor | 10 | 7A | 177 BPM |