"Frequency Ass Bandit" by Botch had its release date on November 2, 1999. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of We Are the Romans by Botch. The song's track number on the album is #7 out of 21 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Frequency Ass Bandit's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Frequency Ass Bandit by Botch has a tempo of 159 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Frequency Ass Bandit being at 159 BPM, the half-time would be 80 BPM with a double-time of 318 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Social Worker's Nightmare | Breather Resist | C Minor | 10 | 5A | 151 BPM | ||
| Jada Bloom | Vision Of Disorder | D Major | 10 | 10B | 89 BPM | ||
| There's a Time and a Place for Everything | The Tony Danza Tapdance Extravaganza | D♭ Major | 10 | 3B | 98 BPM | ||
| Crawlspace | Chat Pile | G Major | 7 | 9B | 151 BPM | ||
| Criminal | TODAY IS THE DAY | E♭ Minor | 6 | 2A | 81 BPM | ||
| Lazzaro | Poison The Well | C Major | 10 | 8B | 168 BPM | ||
| To Crawl Under One's Skin | Neurosis | D Major | 7 | 10B | 150 BPM | ||
| Lurch | The Dillinger Escape Plan | A Major | 10 | 11B | 105 BPM | ||
| Le Désordre, C'est Moi | Orchid | E Major | 9 | 12B | 180 BPM | ||
| Fire Drill | Kiss It Goodbye | A♭ Major | 9 | 4B | 145 BPM | ||
| From Sinking | ISIS | F♯ Minor | 7 | 11A | 114 BPM | ||
| Burning Cupid | Disembodied | C Minor | 8 | 5A | 81 BPM | ||
| Clot | Breach | E♭ Major | 10 | 5B | 133 BPM | ||
| Please Shit All Over Me, I Love It | The Sawtooth Grin | D♭ Major | 10 | 3B | 140 BPM | ||
| Party Smasher | The Dillinger Escape Plan | A Major | 10 | 11B | 122 BPM | ||
| Crazy Eddie | Deadguy | F♯ Minor | 8 | 11A | 100 BPM | ||
| The Surge | Ion Dissonance | B♭ Major | 9 | 6B | 110 BPM | ||
| John Woo | Botch | E♭ Major | 8 | 5B | 168 BPM | ||
| Until Your Heart Stops (Segue 2) | Cave In | A Major | 9 | 11B | 85 BPM | ||
| Lower the Blade | Car Bomb | E Major | 9 | 12B | 68 BPM | ||
| A Man Exits | Hopesfall | D Minor | 8 | 7A | 77 BPM | ||
| The Pig Keeperis Daughter | Psyopus | B Minor | 10 | 10A | 112 BPM | ||
| My Mirror No Longer Reflects | Poison The Well | D Minor | 8 | 7A | 85 BPM | ||
| Clip The Apex...Accept Instruction | The Dillinger Escape Plan | A Minor | 10 | 8A | 111 BPM | ||
| Bayonetwork: Vultures In Vivid Color | Norma Jean | A♭ Major | 10 | 4B | 91 BPM |