"Buildings Watching Back" by The Tap Room had its release date on January 19, 2026. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Buildings Watching Back's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Windows Facing Nowhere by The Tap Room. The song's track number on the album is #1 out of 10 tracks. Buildings Watching Back is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Buildings Watching Back by The Tap Room has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Buildings Watching Back being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Misty Land | Headlund | D Major | 1 | 10B | 89 BPM | ||
| Cleveland Park | Roots and Recognition | C Major | 5 | 8B | 85 BPM | ||
| Passing By | Eric Feinberg | A Minor | 6 | 8A | 80 BPM | ||
| Whispered the Winter Witch | Justin Johnson | D Minor | 1 | 7A | 106 BPM | ||
| The Miner | Both Are Infinite | E Minor | 6 | 9A | 158 BPM | ||
| Oh My Lovely | Daniel Lanois | G Major | 1 | 9B | 106 BPM | ||
| Little Butterfly | The Tap Room | B Minor | 1 | 10A | 94 BPM | ||
| Beyond the Frontier | Siem Herstel | C Minor | 2 | 5A | 81 BPM | ||
| Los Picos | Siem Herstel | A♭ Minor | 1 | 1A | 65 BPM | ||
| In the Gutter | Pearce Roswell | F♯ Minor | 4 | 11A | 120 BPM | ||
| Nordic Rust | Northside | B♭ Major | 1 | 6B | 102 BPM | ||
| Stops Without Names | The Tap Room | C Minor | 2 | 5A | 81 BPM | ||
| Four | Bass Guitar Instrumentals | B Minor | 8 | 10A | 140 BPM | ||
| A Woman Like You - Instrumental Version | Peter Crosby | D Major | 3 | 10B | 68 BPM | ||
| Dust in Sunbeams | The Tap Room | C Minor | 2 | 5A | 81 BPM | ||
| My Old Man | Lindsey Abraham | G Major | 5 | 9B | 170 BPM | ||
| Arros - Acoustic guitar version | Black Hill, The Blind Siberian | B♭ Minor | 5 | 3A | 166 BPM | ||
| I See Fire - Electric Echo | Chasing Reverbs | A♭ Minor | 1 | 1A | 127 BPM | ||
| True Grit | Christoffer Moe Ditlevsen | A♭ Major | 3 | 4B | 80 BPM | ||
| Stardust Whisper | Ross Stack | G Major | 2 | 9B | 84 BPM | ||
| Indulgence | Alec Slayne | D Major | 1 | 10B | 136 BPM | ||
| I Just Wanna Live - Bass Guitar Instrumental | Tommy Lee Depp | F♯ Major | 2 | 2B | 179 BPM | ||
| Bark at the Moon | Tellsonic | D Minor | 5 | 7A | 88 BPM | ||
| Father’s Gun | Ruth Barrett | D Minor | 1 | 7A | 65 BPM | ||
| Buildings Watching Back | The Tap Room | C Minor | 2 | 5A | 81 BPM |