"String Trio No. 1: III. Un poco lento" by Imogen Holst, Simon Hewitt Jones, Tom Hankey, Oliver Coates had its release date on September 22, 2017. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Imogen Holst, Various Artists's "Imogen Holst: String Chamber Music" album is number 7 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, String Trio No. 1: III. Un poco lento's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Trio No. 1: III. Un poco lento by Imogen Holst, Simon Hewitt Jones, Tom Hankey, Oliver Coates to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Fall of the Leaf: III. Poco adagio | Imogen Holst, Thomas Hewitt Jones | C Major | 0 | 8B | 80 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 131 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| 7 Partsongs, Op. 44: When First We Met | Gustav Holst, The Purcell Singers, English Chamber Orchestra, Imogen Holst | E Minor | 1 | 9A | 76 BPM | ||
| In manus tuas I: In manus tuas I | John Sheppard, Stile Antico | C Major | 0 | 8B | 79 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Kyrie (From Mass in Eb) | The Concordia Choir, René Clausen | E♭ Major | 1 | 5B | 84 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Variations on "Loth to Depart": Theme | Imogen Holst, BBC Concert Orchestra, Alice Farnham | G Major | 1 | 9B | 85 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Requiem: VIII. In paradisum | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough | D Major | 0 | 10B | 83 BPM | ||
| More Sweet Than My Refrain | Howard Skempton, Ars Nova Copenhagen, Paul Hillier | A Major | 0 | 11B | 83 BPM | ||
| Miserere: Tibi soli | Gregorio Allegri, Chorus Sine Nomine, Michael Krenn, Johannes Hiemetsberger | B♭ Major | 1 | 6B | 131 BPM | ||
| Te Deum: Te gloriosus Apostolorum chorus | Henrik Ødegaard, Trad., Ensemble 96, Nina T. Karlsen | A Minor | 0 | 8A | 136 BPM | ||
| Draw on, Sweet Night | John Wilbye, Oxford Camerata, Jeremy Summerly | D Major | 1 | 10B | 83 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM |