On February 14, 2020, the song "Navasa Ishara - From "Bonus"" was released by Shreya Ghoshal, Rohan Pradhan, Rohan Rohan. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Navasa Ishara (From "Bonus") and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Navasa Ishara - From "Bonus" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Navasa Ishara - From "Bonus" by Shreya Ghoshal, Rohan Pradhan, Rohan Rohan having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Man Shevantiche Phool | Deepti Mate | A Major | 4 | 11B | 120 BPM | ||
| Mazya Rajan Dilaya Dan | Anand Oak, M.D.Saurabh, Anuja Deore | D♭ Major | 5 | 3B | 190 BPM | ||
| He Gajavadan | Saleel Kulkarni | C Major | 6 | 8B | 114 BPM | ||
| Gondal Majhe Mauli | Jasraj Joshi | E Minor | 7 | 9A | 100 BPM | ||
| Angai 2.0 | Sonali Sonawane, Ankita Raut | A Minor | 3 | 8A | 144 BPM | ||
| Mazya Marathi Maticha | Ashok Bagwe | G Major | 6 | 9B | 180 BPM | ||
| Mazhe Tuzhe | Nihar Shembekar, Sharvari Deshpande | G Major | 4 | 9B | 148 BPM | ||
| Choru Chorun (Female) | Aarya Ambekar | G Major | 6 | 9B | 88 BPM | ||
| Aivaj Havali Kela | Vaishali Samant, Tyagraj Khadilkar | B♭ Minor | 4 | 3A | 95 BPM | ||
| Jeev Bhulala | Sonu Nigam, Shreya Ghoshal | D Major | 7 | 10B | 100 BPM | ||
| Mitra Vanavyamadhe | Shreejeet Gaikwad | D Minor | 2 | 7A | 140 BPM | ||
| Wedyancha Ghar Unnhat | Swapnil Bandodkar | F Major | 5 | 7B | 127 BPM | ||
| Oli Halad | Sonali Sonawane, Mayuresh Shinde | E Major | 6 | 12B | 157 BPM | ||
| Sakhe Ga Sajani | Anurag Godbole, Sanika Shirke | A Major | 5 | 11B | 147 BPM | ||
| Chala Jejurila Jaoo | Uttara Kelkar | F♯ Major | 7 | 2B | 90 BPM | ||
| Mee Maj Harpun | Reeshika Mukherjee | F Minor | 5 | 4A | 100 BPM | ||
| Ye Na Punha (From "Premachi Goshta 2") | Rohit Raut, Avinash Vishwajeet | D♭ Major | 6 | 3B | 130 BPM | ||
| Are Krishna | Avdhoot Gandhi, Shruti Athavale | B Major | 6 | 1B | 125 BPM | ||
| Majhya Mana | Rohan Pradhan, Rohan Rohan | D♭ Major | 8 | 3B | 124 BPM | ||
| KALANA KAHI | Ajay Gogavale | A♭ Major | 5 | 4B | 120 BPM | ||
| Bhetali Tu Punha Duet - Reprised Version | Rucha Bondre, Nikhil Modgi | E♭ Major | 2 | 5B | 110 BPM | ||
| Manwa Laage | Vishal-Shekhar, Shreya Ghoshal, Arijit Singh, Irshad Kamil | C Major | 7 | 8B | 81 BPM | ||
| Madanmanjiri - From "Phullwanti" | Vaishali Made, Avinash Vishwajeet, Vishwajeet Joshi | B♭ Major | 9 | 6B | 133 BPM | ||
| Tu Astis Tar | Sanjeev Abhyankar | B♭ Major | 7 | 6B | 108 BPM | ||
| Sajiri Gojiri | Sahil Kulkarni, Rupali Moghe | D♭ Major | 8 | 3B | 140 BPM |