Ned Rorem, Ani Kavafian, Fred Sherry, Marya Martin, André-Michel Schub, Ida Kavafian's ' "Bright Music: V. Chopin" was released on its scheduled release date, January 1, 1992. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Ned Rorem: Winter Pages/Bright Music". In this album, this song's track order is #17. Bright Music: V. Chopin is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Bright Music: V. Chopin by Ned Rorem, Ani Kavafian, Fred Sherry, Marya Martin, André-Michel Schub, Ida Kavafian having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Homework Suite: Berceuse | Gordon Getty, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 66 BPM | ||
| Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Florian Störtz, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | E♭ Major | 0 | 5B | 68 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| 24 Dainas: Daina No. 6, Andante | Janis Medins, Arta Arnicane | B Minor | 1 | 10A | 73 BPM | ||
| Sonata for 2 Pianos, FP 156: III. Andante lyrico | Francis Poulenc, Pascal Rogé, Elena Font | E♭ Major | 0 | 5B | 68 BPM | ||
| Piano Concerto No. 2: III. Real Fast! | Simon Mulligan, Royal Scottish National Orchestra, Joee, Ned Rorem | D Minor | 0 | 7A | 85 BPM | ||
| 5 Pieces, Op. 75, "the Trees": No. 4, Koivu (the Birch) | Jean Sibelius, Ralf Gothoni | D♭ Major | 0 | 3B | 131 BPM | ||
| Bach / Busoni: Toccatas and Fugues, BV B29: No. 1, Toccata and Fugue in C Major: Adagio (After Bach's BWV 564) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | D Minor | 1 | 7A | 65 BPM | ||
| Nymphs and Fauns Arabesque - Duo-Art 5509 | Herman Bemberg, McNair Ilgenfritz, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | E♭ Major | 0 | 5B | 68 BPM | ||
| 24 Preludes, Op. 11: No. 8 in F-Sharp Minor. Allegro agitato | Alexander Scriabin, Mikhail Pletnev | G Major | 0 | 9B | 74 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | E♭ Major | 0 | 5B | 68 BPM | ||
| 4 Lieder, Op. 27: No. 4, Morgen! | Richard Strauss, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 102 BPM | ||
| Early In the Morning | Ned Rorem, William Schimmel, Dwayne Burno, Ron Jackson, Lisa Kirchner, Joel Fan, Willie Jones III | A♭ Major | 3 | 4B | 116 BPM | ||
| The Silver Swan | Ned Rorem, Karen Smith Emerson, Martin Katz | A Minor | 1 | 8A | 91 BPM | ||
| 4 Lieder, Op. 27: IV. Morgen! | Richard Strauss, James Ehnes, Andrew Armstrong | G Major | 0 | 9B | 80 BPM | ||
| On an Overgrown Path, JW VIII/17, Book 1: III. Come with Us | Leoš Janáček, Marc-André Hamelin | G Major | 0 | 9B | 68 BPM | ||
| Britten: Suite for Violin and Piano, Op. 6: IV. Lullaby | Benjamin Britten, Rafal Zambrzycki-Payne, Carole Presland | F Minor | 0 | 4A | 77 BPM | ||
| Air à danser, Op. 164 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM |