Eric Coates, National Symphony Orchestra's 'The Three Elizabeths - Suite: I. Halcyon Days - Elizabeth Tudor' had a release date set for June 6, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 132 in the song's album "The Definitive Eric Coates". In this album, this song's track order is #31. Furthermore, we believe that the track originated from United Kingdom. The Three Elizabeths - Suite: I. Halcyon Days - Elizabeth Tudor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Three Elizabeths - Suite: I. Halcyon Days - Elizabeth Tudor by Eric Coates, National Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suor Angelica: Intermezzo | Giacomo Puccini, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 83 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | ||
| Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
| A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 116 BPM | ||
| Jazz Suite: II. Lyrical Waltz | Alexander Tsfasman, Zlata Chochieva, BBC Scottish Symphony Orchestra, Karl-Heinz Steffens | E Minor | 1 | 9A | 84 BPM | ||
| Dam Busters March | Eric Coates, Vernon Handley, BBC Concert Orchestra, Martin Loveday | C Major | 3 | 8B | 109 BPM | ||
| Petite suite de concert, Op. 77: III. Un Sonnet d'Amour | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A Major | 0 | 11B | 166 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Concerto For Piano & Orchestra - Movement 1 - The Smile | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | E♭ Major | 2 | 5B | 100 BPM | ||
| Les noces de Jeanette: Air du rossignol (Arr. Pierre for Flute & Orchestra) | Victor Massé, Patrick Gallois, Richard Friedman, Fabrice Pierre, London Festival Orchestra, Ross Pople | A♭ Major | 1 | 4B | 135 BPM | ||
| The Merrymakers | Eric Coates, John Wilson, BBC Philharmonic | A Major | 2 | 11B | 92 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): III. Andante moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | N/A | N/A | N/A | 0 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Danzas fantasticas, Op. 22: Ensueno | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | G Major | 0 | 9B | 82 BPM | ||
| 5 Meditations for Orchestra: No. 4, Lord, Make Me an Instrument of Thy Peace | John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
| Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | F Major | 2 | 7B | 76 BPM | ||
| Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 1 | 10B | 119 BPM | ||
| The Jester at the Wedding: VI. Finale, "The Princess and the Jester" | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 137 BPM | ||
| Judy's Theme | George Martin, Berlin Music Ensemble, Craig Leon | F♯ Minor | 2 | 11A | 85 BPM | ||
| Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | ||
| Impression of a Princess | Eric Coates, Eric Coates and his Concert Orchestra | E♭ Major | 2 | 5B | 87 BPM | ||
| Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
| VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM |