Masood Rana's ' "Aye Watan Hum Hain Teri Shama Ke Parwanon Main" was released on its scheduled release date, July 13, 2018. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Aye Watan Hum Hain Teri Shama Ke Parwanon Main's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Pakistan Patriotic Songs (ISPR)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from France. Based on our statistics, Aye Watan Hum Hain Teri Shama Ke Parwanon Main's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Aye Watan Hum Hain Teri Shama Ke Parwanon Main by Masood Rana having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ae Mere Ham Nasheen | Munni Begum | D♭ Major | 4 | 3B | 81 BPM | ||
| Kabhi Hum Khoobsurat They | Nayyara Noor | D♭ Minor | 1 | 12A | 91 BPM | ||
| Phir Sawan Rut Ki Pawan Chali Tum Yaad Aaye | Asha Bhosle, Ghulam Ali | D♭ Major | 3 | 3B | 64 BPM | ||
| Chalo Baant Lete Hain (Live) | Chitra Singh | F Major | 3 | 7B | 100 BPM | ||
| Bandeya Laee Ja Rab Da Naam | Wajahat Attre, Masood Rana, Rajab Ali | E Minor | 4 | 9A | 109 BPM | ||
| Mohabbat Rog Hai Dil Da | Mansoor Ali Malangi | B Major | 2 | 1B | 120 BPM | ||
| Bare Bemurawat Hein (From "Badnaam") | Suraya Multanikar | B Major | 3 | 1B | 80 BPM | ||
| Yeh Sila Mila Hai Mujhko | Munni Begum | F Minor | 4 | 4A | 123 BPM | ||
| Aaye Mausam Rangeelay Suhane | Benjamin Sisters | E Major | 4 | 12B | 96 BPM | ||
| Gori Tore Nain Kajar Bin Kare | Asha Bhosle, Mohammed Rafi | C Major | 2 | 8B | 150 BPM | ||
| Teri Ulfat Main Sanam | Zubaida Khanum | F Major | 3 | 7B | 82 BPM | ||
| Asmaan Se Utara | Munni Begum | D♭ Minor | 5 | 12A | 135 BPM | ||
| Tere Viah Da Card | Surinder Bachan, Ranjit Mani | D Major | 5 | 10B | 90 BPM | ||
| Zindagi Men Sada Muskurate Raho | Asha Bhosle, Naqsh Lyallpuri | C Minor | 6 | 5A | 82 BPM | ||
| Gham Diya Mustaquil | K. L. Saigal | E♭ Major | 3 | 5B | 68 BPM | ||
| Jakhan Daaklo Banshi | Hemant Kumar | G Major | 4 | 9B | 124 BPM | ||
| Loki Poojan Rub | Surinder Kaur | D♭ Minor | 3 | 12A | 80 BPM | ||
| Sau Saal Pahle - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | A♭ Major | 6 | 4B | 153 BPM | ||
| Nigahen Mila Kar Badal Jane Wale | Noor Jehan | C Minor | 3 | 5A | 126 BPM | ||
| Meri Chunni Diyan Reshmi Tandan | Zubaida Khanum | A♭ Major | 7 | 4B | 99 BPM | ||
| O Gore Gore Mukhde Pe | Shamshad Begum | A♭ Major | 5 | 4B | 179 BPM | ||
| Sakshi Thakuk Jharapata | Hemant Kumar | D Major | 3 | 10B | 201 BPM | ||
| Peke Jaan Waliye | Asa Singh Mastana | F Major | 6 | 7B | 90 BPM | ||
| Tu Yaad Rehe Sanu Dera Sacha Sauda | Rehmat Records | D Major | 4 | 10B | 107 BPM | ||
| Tu Barayem Muqadasi | Ahmad Zahir | C Major | 7 | 8B | 105 BPM |