Ian Moore's ' "Rm. 229" was released on its scheduled release date, February 25, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 12 in And All the Colors by Ian Moore. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Rm. 229's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Rm. 229 by Ian Moore is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lap Dog | Delta Moon | D Major | 7 | 10B | 90 BPM | ||
| Stranger Blues | GA-20 | F♯ Major | 9 | 2B | 95 BPM | ||
| Set Me Free | The Georgia Thunderbolts | G Major | 7 | 9B | 125 BPM | ||
| The Good Luck You're Having | Bloodline | B♭ Minor | 8 | 3A | 133 BPM | ||
| I Got Your Number | Guitar Shorty | D Major | 7 | 10B | 105 BPM | ||
| Drive It Home | Cry Of Love | C Major | 4 | 8B | 181 BPM | ||
| Too Late | Back Door Slam, Davy Knowles | E♭ Minor | 8 | 2A | 186 BPM | ||
| Riva Diva | The Rides | F Major | 10 | 7B | 145 BPM | ||
| Come Home | Back Door Slam, Davy Knowles | E♭ Minor | 8 | 2A | 186 BPM | ||
| Nothing | Ian Moore | A Major | 8 | 11B | 102 BPM | ||
| Daggers | Ian Moore | A Major | 1 | 11B | 96 BPM | ||
| Honest Man | Lazlo's Gone, Kristin Johnson, Jon Conley | D Major | 5 | 10B | 150 BPM | ||
| Sugarcane | Cry Of Love | A Major | 8 | 11B | 125 BPM | ||
| Hitchhiking Blues | Turquoise Steel, Sage Cornelius | A♭ Minor | 8 | 1A | 114 BPM | ||
| World's Gone Mad | Hamish Anderson | D♭ Minor | 8 | 12A | 91 BPM | ||
| Them Changes | Tommy Castro, The Painkillers, David Hidalgo | A Major | 9 | 11B | 104 BPM | ||
| Cuts Me To The Bone | David Gogo | G Major | 8 | 9B | 120 BPM | ||
| Candy Cane | Lloyd Spiegel | C Major | 6 | 8B | 110 BPM | ||
| Tied & Bound | Joanne Shaw Taylor | A♭ Major | 8 | 4B | 90 BPM | ||
| Let Me Love You Baby | Mike Farris | F Minor | 7 | 4A | 120 BPM | ||
| Bring It On Back | Tommy Castro | D Minor | 8 | 7A | 91 BPM | ||
| Bar Line 99 | Ian Moore | D Major | 10 | 10B | 166 BPM | ||
| Perfectamundo | Billy Gibbons And The BFG's | A Major | 9 | 11B | 100 BPM | ||
| Epilogue: Stiller Kanon | Carl Rütti, Cambridge Voices, Ian Moore, Sophie Miller | B♭ Minor | 4 | 3A | 130 BPM | ||
| Spanish Moon | Arc Angels | D Major | 7 | 10B | 150 BPM |