"中華人民共和国/ホンコン・チャイナ 義勇軍進行曲" by 聶耳(ニエ・アル), Kazuki Yamada, 東京混声合唱団, 斎木ユリ had its release date on November 25, 2020. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 山田和樹アンセム・プロジェクト 世界の国歌7 シルクロード, so we believe that "中華人民共和国/ホンコン・チャイナ 義勇軍進行曲" is a single. 中華人民共和国/ホンコン・チャイナ 義勇軍進行曲 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 中華人民共和国/ホンコン・チャイナ 義勇軍進行曲 by 聶耳(ニエ・アル), Kazuki Yamada, 東京混声合唱団, 斎木ユリ is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
| Atys, LWV 53, Prologue: Deuxième air pour la suite de Flore (II) | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Major | 0 | 7B | 85 BPM | ||
| Amen | Laestadian Lutheran Church, Anna-Kaisa Roiko | G Major | 1 | 9B | 148 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | F Major | 0 | 7B | 86 BPM | ||
| Cantate Domino, SV 293 | Claudio Monteverdi, The Cambridge Singers, Mark Williams | G Minor | 1 | 6A | 143 BPM | ||
| Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
| Come again, sweet love doth now invite | John Dowland, Ruby Hughes, Jonas Nordberg | F Major | 0 | 7B | 85 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| O sing joyfully | Adrian Batten, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Bookes of Ayres, Book 2: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 99 BPM | ||
| Messe brève No. 7: III. Sanctus | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | B Major | 4 | 1B | 104 BPM | ||
| Magnificat in B flat major: Suscepit Israel | Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock | B Major | 0 | 1B | 105 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| Messa a 5 Concertata: VI. Et in terra pax | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Natasha and Zoya sing a nostalgic song, Gde eti tyoplie nochi [Where Are those warm nights?] [reconstructed by M. Fitz-Gerald] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | E♭ Major | 3 | 5B | 98 BPM | ||
| Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
| Lok Sui Tien | Catholic Junior College Choir | E♭ Major | 3 | 5B | 73 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| Semele, HWV 58, Act II: Where’er you walk | George Frideric Handel, Allan Clayton, Ian Page | A Major | 1 | 11B | 86 BPM | ||
| Si ch'io vorrei morire | Claudio Monteverdi, La Venexiana | G Minor | 1 | 6A | 81 BPM | ||
| Pastoral Mass in G Major, Op. 24: VI. Agnus Dei | Karl Kempter, Augsburger Domsingknaben, Residenz-Kammerorchester München, Reinhard Kammler | E♭ Major | 0 | 5B | 68 BPM | ||
| Arioso, Oi Herra, Sinun Jäljissäsi Kuljen | Cantio Laudis -kuoro, Heikki Rainio, Markku Liukkonen, Sirkka Rautakoski, Ari Rautakoski | C Minor | 1 | 5A | 76 BPM |