"I Wonder as I Wander (Arr. J. Rutter for Voice & Choir)" by Traditional, Ann Hoyt, Stephen Sands, Trinity Church Choir, New York, Owen Burdick had its release date on October 1, 2001. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 23 in Christmas at Trinity by Owen Burdick. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. I Wonder as I Wander (Arr. J. Rutter for Voice & Choir) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Wonder as I Wander (Arr. J. Rutter for Voice & Choir) by Traditional, Ann Hoyt, Stephen Sands, Trinity Church Choir, New York, Owen Burdick is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 黎族催眠歌 | 北京天使合唱團 | C Minor | 1 | 5A | 132 BPM | ||
| Red Bean Song | Hong Kong Philharmonic Orchestra, Traditional | C Minor | 1 | 5A | 73 BPM | ||
| Eterna | Celtroya | D Minor | 5 | 7A | 116 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| MAGNIFICAT: VI. Suscepit Israel | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Cecilie Ertzaas Overrein, Maria Næss | B♭ Major | 1 | 6B | 72 BPM | ||
| Serse, HWV 40, Act I: "Ombra mai fu" | George Frideric Handel, Cai Thomas, The Bourne Ensemble, Robert Lewis | G Major | 1 | 9B | 177 BPM | ||
| Traditional: Responsorium "Libera Me" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F♯ Major | 1 | 2B | 79 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | ||
| Stabat mater: IV. Lament | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 1 | 8B | 170 BPM | ||
| Psalm 96, "Chantez a Dieu chanson nouvelle" | Jan Pieterszoon Sweelinck, Voices of Ascension Chorus, Dennis Keene | E Minor | 1 | 9A | 86 BPM | ||
| Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| Harmonia Fidelitatis Devotionis | Dom Le Feuvre, Enrico De Capitani, Cantori Gregoriani | C Minor | 0 | 5A | 73 BPM | ||
| Salve, Regina | Hermannus Contractus, Liber Cantualis, Randall DeBruyn, Paul F. Ford | F Major | 1 | 7B | 86 BPM | ||
| Bookes of Ayres, Book 2: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 99 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Lord Have Mercy (Kyrie) | Margaret Rizza, Kevin Mayhew Ltd | E Minor | 2 | 9A | 168 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | ||
| Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM | ||
| The Day Thou Gavest Lord Is Ended | The Scottish Festival Singers | A♭ Major | 2 | 4B | 81 BPM |