Riley Armstrong's ' "Talk Like a Robot" was released on its scheduled release date, April 14, 2014. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riley Armstrong's "I Live Dangerous: The Music Comedy of Riley Armstrong" album is number 14 out of 16. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Talk Like a Robot is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Talk Like a Robot by Riley Armstrong to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If You Could Hie To Kolob | Kirby Heyborne, Marc Thorup | G Major | 6 | 9B | 176 BPM | ||
| Empty Stadium | Azuno Kutcher | A♭ Major | 8 | 4B | 98 BPM | ||
| I Wanna Be There | Blessid Union Of Souls | G Major | 7 | 9B | 140 BPM | ||
| Above Every Name | Riley Armstrong | D Major | 6 | 10B | 123 BPM | ||
| Feel This Good | Jackopierce | G Major | 7 | 9B | 120 BPM | ||
| You Don't Understand | Old Man Galetti | E♭ Minor | 6 | 2A | 134 BPM | ||
| October Came Late | Mainstay | F♯ Major | 7 | 2B | 158 BPM | ||
| Standing Tall | Nice vick | G Minor | 3 | 6A | 98 BPM | ||
| Suspended | Matt Nathanson | A♭ Major | 9 | 4B | 104 BPM | ||
| We'll Bring The World His Truth | Hudson River School | C Major | 6 | 8B | 135 BPM | ||
| I Want All Of You | The Verve Pipe | C Major | 8 | 8B | 93 BPM | ||
| Since You Broke It | Graham Colton Band | B Major | 5 | 1B | 95 BPM | ||
| 1,000 Ships | Rachel Platten | C Major | 8 | 8B | 132 BPM | ||
| Where Have All the Payphones Gone? | Riley Armstrong | D Major | 6 | 10B | 93 BPM | ||
| Part of Me Still Beats | Blister Soul | F♯ Major | 7 | 2B | 144 BPM | ||
| Walk Away | Rob Kayes | D Major | 2 | 10B | 100 BPM | ||
| Ocean Size Love | Leigh Nash | G Major | 6 | 9B | 134 BPM | ||
| Something To Do | Neil Klind | A♭ Major | 8 | 4B | 98 BPM | ||
| Just Believe (feat. Benji Jackson) | Pinkzebra, Benji Jackson | D♭ Major | 6 | 3B | 161 BPM | ||
| Calling All Friends | The Low Stars | G Major | 9 | 9B | 160 BPM | ||
| I Am Free | Tal Bachman | C Major | 5 | 8B | 83 BPM | ||
| The Best That I Can Give | Emerson Hart | E♭ Major | 7 | 5B | 186 BPM | ||
| Strawberry Love | Leo Kozmo | A♭ Major | 8 | 4B | 98 BPM | ||
| Categories | Abbey Romeo | A Minor | 5 | 8A | 96 BPM | ||
| Can't Lick This Love Thing | Prozzak | C Major | 7 | 8B | 97 BPM |