"THE BLACK LIMBO" by Mario Conte had its release date on January 20, 2025. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Opera! Arias For An Eclipse (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. In terms of popularity, THE BLACK LIMBO is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With THE BLACK LIMBO by Mario Conte having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | E Minor | 1 | 9A | 83 BPM | ||
| Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
| Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
| Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
| Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | ||
| Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
| L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
| Strategy of Tension - Mario Conte Remix | FIRE, Mario Conte, Adrian Sherwood, Ivan Bert, FILOQ, Gianni Denitto, Marco Benz Gentile, Pasquale Mirra | B Minor | 6 | 10A | 135 BPM | ||
| Ave Maria - Caccini | Hannah Holgersson | B♭ Minor | 1 | 3A | 94 BPM | ||
| Ave Maria di Caccini | Carmelo Emanuela Patti, Giulia Monti, Jiapei Huang, Lucio Enrico Fasino, Valentino Alessandrini, DiMaio | F Major | 3 | 7B | 73 BPM | ||
| Giselle, ou les Wilis, Acte II : No. 11, Apparition de Giselle. | Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 4 | 5B | 117 BPM | ||
| Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) | Claudio Scimone, I Solisti Veneti, Marilyn Horne | D Major | 1 | 10B | 87 BPM | ||
| Intermezzo - Cavalleria Rusticana | London Symphony Orchestra | F Major | 3 | 7B | 98 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
| L'elisir d'amore: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | B♭ Minor | 1 | 3A | 68 BPM | ||
| Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
| Tadeusz et Telimena | Wojciech Kilar | F Major | 2 | 7B | 89 BPM | ||
| Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
| Turandot, SC 91: Non piangere, Liù | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | E♭ Minor | 2 | 2A | 86 BPM | ||
| Gianni Schicchi: Aria "O mio babbino caro" | Giacomo Puccini, Royal Philharmonic Orchestra, Charles Dutoit, Deborah Norman | A♭ Major | 2 | 4B | 174 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |