When all night long a chap remains by Arthur Sullivan, Kenneth Sandford, The New Symphony Orchestra Of London, Isidore Godfrey Song Details

Arthur Sullivan, Kenneth Sandford, The New Symphony Orchestra Of London, Isidore Godfrey's 'When all night long a chap remains' had a release date set for January 1, 1960. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 1 out of 28. On top of that, United Kingdom appears to be the country where this track was created. When all night long a chap remains is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

We consider the tempo marking of When all night long a chap remains by Arthur Sullivan, Kenneth Sandford, The New Symphony Orchestra Of London, Isidore Godfrey to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -20.254 dB
Acousticness: 79%
Danceability: 60%
Energy: 17%
Instrumentalness: 0%
Liveness: 14%
Loudness: 66%
Speechiness: 49%
Valence: 29%

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