"Finale" by Bernard Herrmann had its release date on 1964. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 47 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, Finale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Finale by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gentle Persuasion | Keith Mansfield | A Minor | 2 | 8A | 87 BPM | ||
| I'm A Fool To Want You - Remastered 2006 | Donald Byrd | F Minor | 1 | 4A | 97 BPM | ||
| Dear Kathy | Benny Golson | B♭ Minor | 0 | 3A | 132 BPM | ||
| One of Us | The Greek Rapper Who Stole my Music | E♭ Major | 1 | 5B | 172 BPM | ||
| Fabiola | Hermeto Pascoal | G Major | 8 | 9B | 115 BPM | ||
| High and Low | Masaru Sato | C Major | 1 | 8B | 169 BPM | ||
| Theme from Taxi Driver | Bernard Herrmann, Dave Blume | F Major | 4 | 7B | 164 BPM | ||
| Main Title | Alex North | G Major | 0 | 9B | 108 BPM | ||
| Episodio | Piero Umiliani | A Minor | 4 | 8A | 151 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Goodbye For Kathy - Love Theme From "3 Days Of The Condor" | Dave Grusin | C Minor | 2 | 5A | 126 BPM | ||
| A Place In The Sun - Suite | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | B♭ Minor | 2 | 3A | 176 BPM | ||
| Voice in Sight | Berto Pisano | F Major | 3 | 7B | 105 BPM | ||
| Trevor's Lair | Roque Baños | D Major | 0 | 10B | 68 BPM | ||
| Kay's Theme (From "The Godfather Part II") | Carmine Coppola | E Major | 1 | 12B | 87 BPM | ||
| Carlotta's Portrait | Bernard Herrmann | C Major | 0 | 8B | 68 BPM | ||
| Abstract Night | Umberto Smerilli | B♭ Minor | 1 | 3A | 140 BPM | ||
| Quei giorni insieme a te (Theme) | Riz Ortolani | C Major | 4 | 8B | 98 BPM | ||
| Thème de Gerbier - Bande originale du film "L'armée des ombres" | Eric Demarsan | F Minor | 3 | 4A | 72 BPM | ||
| Camille | Georges Delerue | F♯ Minor | 3 | 11A | 72 BPM | ||
| Private Blues | Leith Stevens | D♭ Major | 1 | 3B | 107 BPM | ||
| La notte muore (orchestra) | Sandro Brugnolini | F Major | 1 | 7B | 79 BPM | ||
| Oil | Jonny Greenwood | D♭ Minor | 3 | 12A | 81 BPM | ||
| Personal Contact | Michel Colombier | A♭ Major | 5 | 4B | 103 BPM | ||
| Taxi Driver | Bernard Herrmann, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard | C Major | 2 | 8B | 172 BPM |