"dark end" by Mari Fukuhara had its release date on April 8, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mari Fukuhara's "karakuri" album is number 2 out of 11. dark end is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of dark end by Mari Fukuhara to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twinkels | De Lumineuze Nachten | B Major | 2 | 1B | 97 BPM | ||
| Healing | Todd Baker, Lucie Treacher | A Minor | 3 | 8A | 130 BPM | ||
| The Light That Remains | Mischa Blanos | A Major | 1 | 11B | 122 BPM | ||
| Below the Surface | Carla Patullo | G Major | 3 | 9B | 83 BPM | ||
| Komorebi | Mari Fukuhara | G Major | 4 | 9B | 155 BPM | ||
| Aurosa Valley | Infinity Nikki, FoldEcho | G Major | 6 | 9B | 154 BPM | ||
| Mercury | Evanor Lume | C Major | 0 | 8B | 107 BPM | ||
| Caprice de deux | Wim De Wilde | C Major | 0 | 8B | 107 BPM | ||
| A Sensitive Subject | Joel P West | C Major | 0 | 8B | 107 BPM | ||
| moonlight diving | Aoi Mizuno | D♭ Major | 1 | 3B | 74 BPM | ||
| 別離 | Taisei Iwasaki | E♭ Major | 3 | 5B | 95 BPM | ||
| Une Larme | Erinthe | C Major | 0 | 8B | 107 BPM | ||
| Aubade | Umitaro Abe | A Major | 3 | 11B | 110 BPM | ||
| dark end | Mari Fukuhara | B Minor | 3 | 10A | 85 BPM | ||
| Robin Song | Thomas Williams | G Major | 2 | 9B | 70 BPM | ||
| Childhood Memories | Chris Kohler, Rouven Schumacher | A Minor | 1 | 8A | 110 BPM | ||
| The Promise Of Tomorrow | Laurent Dury, JUSTEMENT MUSIC | B♭ Major | 1 | 6B | 200 BPM | ||
| 水刻過山的足跡 Water Etched Landscape | Cicada | B♭ Major | 0 | 6B | 133 BPM | ||
| 言えない気持ち | 柳川和樹 | D Major | 2 | 10B | 64 BPM | ||
| How do I get back to the forest? | Mari Fukuhara | G Minor | 2 | 6A | 98 BPM | ||
| Bienvenue | Mari Fukuhara | D Major | 5 | 10B | 180 BPM | ||
| Acceptance | Gints Zilbalodis, Rihards Zalupe | D♭ Major | 2 | 3B | 120 BPM | ||
| 巨壁に挑む | Yugo Kanno | C Major | 0 | 8B | 107 BPM | ||
| Rainfall | slowbomb | C Major | 0 | 8B | 107 BPM | ||
| Monsieur Croche | Stephen Emmer | G Minor | 1 | 6A | 111 BPM |