"Requiem in D Minor, Op. 48: VI. Libera me" by Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers, Stephen Varcoe had its release date on April 1, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 16 in Fauré: Requiem & Other Sacred Music by Gabriel Fauré, John Rutter, The Cambridge Singers, City of London Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem in D Minor, Op. 48: VI. Libera me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in D Minor, Op. 48: VI. Libera me by Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers, Stephen Varcoe is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| and the swallow | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | C Minor | 2 | 5A | 78 BPM | ||
| Ave verum | Philip Stopford, The Ecclesium Choir | F♯ Minor | 1 | 11A | 142 BPM | ||
| Requiem: I. Requiem Aeternam | John Rutter, Aurora Orchestra, The Cambridge Singers | G Minor | 1 | 6A | 103 BPM | ||
| Evening Service in G Minor, Z. 231: II. Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Puccini: Messa di Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | ||
| Missa Pange lingua: Kyrie | Josquin des Prez, Stile Antico | C Minor | 2 | 5A | 77 BPM | ||
| Magnificat: VI. Esurientes | John Rutter, Patricia Forbes, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
| Versicles and Responses | Anonymous, Simon Wall, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
| Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
| Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | A Minor | 0 | 8A | 69 BPM | ||
| Credo in F Major: II. Crucifixus | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 94 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Actus Caritatis | Pēteris Vasks, Youth Choir "Kamer...", Patriks Kārlis Stepe | D Major | 1 | 10B | 132 BPM | ||
| The Long Day Closes | The King's Singers | F Major | 0 | 7B | 107 BPM | ||
| Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM | ||
| Song for Athene | John Tavener, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
| Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Wiener Staatsopernchor | E Minor | 0 | 9A | 73 BPM | ||
| A Gaelic Blessing | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Mass of the Children: I. Kyrie | John Rutter, Joanne Lunn, Roderick Williams, Cantate Youth Choir, The Cambridge Singers, City of London Sinfonia | C Major | 1 | 8B | 78 BPM | ||
| Symphonia et Ordo virtutum: O Euchari, in leta via | Hildegard von Bingen, Elin Manahan Thomas | D♭ Minor | 0 | 12A | 82 BPM | ||
| Górecki: Totus tuus, Op. 60 | Henryk Górecki, Edward Higginbottom, Tim Oldham | E♭ Major | 0 | 5B | 78 BPM | ||
| Crucifixus for 8 Voices | Antonio Lotti, The Cambridge Singers, John Rutter | C Minor | 0 | 5A | 141 BPM |