- BPM
- 103
- Key
- G Minor
- Camelot
- 6A
Requiem: I. Requiem Aeternam by John Rutter, Aurora Orchestra, The Cambridge Singers Song Details
"Requiem: I. Requiem Aeternam" by John Rutter, Aurora Orchestra, The Cambridge Singers had its release date on October 28, 2016. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in John Rutter, Aurora Orchestra, The Cambridge Singers's "John Rutter: Visions & Requiem" album is number 5 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem: I. Requiem Aeternam is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Requiem: I. Requiem Aeternam by John Rutter, Aurora Orchestra, The Cambridge Singers to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -19.627 dB
- Acousticness
- 97%
- Danceability
- 19%
- Energy
- 10%
- Instrumentalness
- 2%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | |
 | Quanta Qualia | Patrick Hawes, VOCES8, Christian Forshaw | E♭ Major | 1 | 5B | 70 BPM | |
 | Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | |
 | Song For Athene | John Tavener, The Temple Church Choir, The Holst Singers, Ian Le Grice, Stephen Layton | F Minor | 0 | 4A | 75 BPM | |
 | The Armed Man - A Mass For Peace: V. Sanctus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Neil Percy | A Minor | 2 | 8A | 130 BPM | |
 | Requiem in D Minor, Op. 48: II. Offertoire | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers, Stephen Varcoe | G Major | 1 | 9B | 83 BPM | |
 | Ave verum corpus, T. 92 | William Byrd, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 87 BPM | |
 | Piano Concerto No. 2 in A-Flat Major, H. 31: II. Poco adagio | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM | |
 | O Valiant Hearts | Charles Harris, The Chapel Choir of the Royal Hospital Chelsea, Chelsea Pensioners, Hugh Rowlands, William Vann | E♭ Major | 1 | 5B | 132 BPM | |
 | Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | |
 | O Little Rose, O Dark Rose | Gerda Blok-Wilson, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 81 BPM | |
 | Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | |
 | Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | |
 | Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | |
 | Zadok The Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Choir of New College, Oxford, Matthew Halls, Academy of Ancient Music, Edward Higginbottom | C Major | 1 | 8B | 166 BPM | |
 | Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | |
 | A Choral Amen | John Rutter, The Cambridge Singers | E Major | 1 | 12B | 71 BPM | |
 | Where the Bee Dances | Michael Nyman, Jess Gillam, Aurora Orchestra, Nicholas Collon | G Major | 3 | 9B | 137 BPM | |
 | I Sat Down Under His Shadow | Edward Bairstow, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 134 BPM | |
 | For the Beauty of the Earth | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | |
 | The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | |
 | Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | |
 | Crucifixus | Antonio Caldara, John Rutter, The Cambridge Singers, Helen Gough, William Hunt, Wayne Marshall | D♭ Major | 2 | 3B | 81 BPM | |
 | Senza Mamma Suor Angelica | Barrington Pheloung | A Minor | 2 | 8A | 95 BPM |
- ISRC
- GBAKR1613905
- Label
- L-M Records/RCA Records