"A Choral Amen" by John Rutter, The Cambridge Singers had its release date on September 1, 2013. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "O Praise the Lord of Heaven". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. A Choral Amen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Choral Amen by John Rutter, The Cambridge Singers having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Christ Who Art the Light and Day | William Byrd, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 143 BPM | ||
| Geistliche Chöre, Op. 69: Nr. 3 Abendlied | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 0 | 7B | 136 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
| Dominus Vobiscum | Jacob Narverud, Tallgrass Chamber Choir | E♭ Minor | 0 | 2A | 88 BPM | ||
| Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 3 | 4B | 107 BPM | ||
| Adoramus te, Christe, IGP 3 | Giovanni Pierluigi da Palestrina, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 95 BPM | ||
| In manus tuas | John Sheppard, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Magnificat: VI. Esurientes | John Rutter, Patricia Forbes, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
| O Saviour of the World | John Goss, Choir of Clare College, Cambridge, Timothy Brown | A♭ Major | 0 | 4B | 134 BPM | ||
| Dixit Maria ad angelum | Hans Leo Hassler, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 143 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| I Believe in Springtime | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
| A Red, Red Rose | James Mulholland, Kansas City Chorale, Charles Bruffy | D Major | 0 | 10B | 82 BPM | ||
| 4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| II. Andante | John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble | A♭ Major | 0 | 4B | 75 BPM | ||
| Aeternam | Bernat Vivancos, Latvian Radio Choir, Sigvards Kļava | B Minor | 1 | 10A | 65 BPM | ||
| Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 71 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| 2 Unaccompanied Part-Songs, RT IV/5: No. 1, To Be Sung of a Summer Night on the Water I | Frederick Delius, The Cambridge Singers, John Rutter | D♭ Minor | 1 | 12A | 126 BPM | ||
| As the Bridegroom to His Chosen | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM |