"L'ultima canzone" by Giuseppe Di Stefano had its release date on January 9, 1951. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 59 in Canzone dell'amore by Giuseppe Di Stefano. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L'ultima canzone is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'ultima canzone by Giuseppe Di Stefano is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| 'Na Sera 'E Maggio | Giuseppe Di Stefano | E Minor | 1 | 9A | 89 BPM | ||
| Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
| L'ultima canzone (Orch. Faris) | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
| Verdi: La traviata, Act 1: "Un dí felice, eterea" (Alfredo, Violetta) | Giuseppe Verdi, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 2 | 7B | 93 BPM | ||
| Puccini: Tosca, Act 1: "Ah, quegli occhi" - "Quale occhio al mondo può star di paro" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| Parlami d’amore, Mariù | Cesare Andrea Bixio, Juan Diego Flórez, Craig Ogden | A♭ Major | 1 | 4B | 135 BPM | ||
| Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
| 'O surdato 'nnamurato | Enrico Cannio, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 3 | 7B | 80 BPM | ||
| Don Giovanni, K. 527: Dalla sua pace | Wolfgang Amadeus Mozart, Kenneth Riegel, Lorin Maazel | G Major | 1 | 9B | 86 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | E Minor | 1 | 9A | 96 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Don Giovanni, K. 527, Act II: Finale - Don Giovanni, a cenar teco | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| Core 'ngrato | Beniamino Gigli | E♭ Major | 3 | 5B | 84 BPM | ||
| La serenata | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 3 | 7B | 96 BPM | ||
| Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
| Silenzio cantatore | Gaetana Lama, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Minor | 2 | 9A | 83 BPM | ||
| Primo Amore | Carlo Buti | G Minor | 1 | 6A | 79 BPM | ||
| I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
| Santa Lucia | Teodoro Cottrau, Giuseppe Di Stefano, Artist Unknown | A♭ Major | 4 | 4B | 67 BPM | ||
| Marta: "M'apparì tutt'amor" (Lionello) | San Francisco Opera Association Orchestra, Giuseppe Di Stefano | F Major | 2 | 7B | 107 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | ||
| Les Pecheurs De Perles: Je Crois Entendre Encore | Georges Bizet, Alfredo Kraus, Nicola Rescigno, Orquesta Manuel de Falla | B♭ Major | 3 | 6B | 108 BPM |