Vincent Youmans, Rigmor Gustafsson, Karl-Martin Almqvist, Hans Andersson, Jacob Karlzon, Jonas Holgersson's ' "Great Day" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Rigmor Gustafsson Live". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Great Day is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Great Day by Vincent Youmans, Rigmor Gustafsson, Karl-Martin Almqvist, Hans Andersson, Jacob Karlzon, Jonas Holgersson having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carioca | Vincent Youmans, Mihaly Tabanyi, Mihaly Tabanyi Band | B♭ Minor | 4 | 3A | 89 BPM | ||
| Die Fledermaus: Waltz | Johann Strauss II, Ronnie Munro Scottish Variety Orchestra, Ronnie Munro, David Java Orchestra, Harold Collins Orchestra, Harry Davidson Orchestra, Harry Fryer Orchestra, London Coliseum Orchestra, Phil Green Theatreland Orchestra, Reginald Pursglove Orchestra, Richard Crean Orchestra, Ronnie Munro Waltz Orchestra, Studio Orchestra, Symphony Orchestra, Wynford Reynolds Orchestra | F Major | 2 | 7B | 182 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| No, No, Nanette: "So ein Tag kommt nicht wieder" | Vincent Youmans, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets, Hans Söhnker, Franzi Millrath, Gretl Schörg, Paul Bürks, Peter René Körner | F Minor | 1 | 4A | 125 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| III. Quarrel | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | E Minor | 1 | 9A | 78 BPM | ||
| Carioca | Vincent Youmans, Enric Madriguera Orchestra, Enric Madriguera | E♭ Major | 3 | 5B | 92 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
| No, No, Nanette: "Ich bin der Mann, der dich glücklich macht" - Finale | Vincent Youmans, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets, Hans Söhnker, Franzi Millrath, Gretl Schörg, Paul Bürks, Peter René Körner | C Major | 2 | 8B | 126 BPM | ||
| Wedgwood Blue | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | B♭ Major | 2 | 6B | 128 BPM | ||
| Gayane Suite No. 1: I. Introduction | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Minor | 6 | 2A | 94 BPM | ||
| Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | ||
| Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
| First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Major | 0 | 9B | 109 BPM | ||
| Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM |