"Final Fantasy X (Piano Concerto): II. Inori" by Nobuo Uematsu, Masashi Hamauzu, London Symphony Orchestra, Katharina Treutler, Eckehard Stier had its release date on February 23, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 11 in Final Symphony - Music from Final Fantasy VI, VII and X by Nobuo Uematsu, London Symphony Orchestra, Katharina Treutler. In terms of popularity, Final Fantasy X (Piano Concerto): II. Inori is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Final Fantasy X (Piano Concerto): II. Inori by Nobuo Uematsu, Masashi Hamauzu, London Symphony Orchestra, Katharina Treutler, Eckehard Stier is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tchaikovsky: Swan Lake, Op. 20, Act 2: Scene (Allegro) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 124 BPM | ||
| Flash of Steel (Final Fantasy XII) | Nobuo Uematsu | A Major | 5 | 11B | 148 BPM | ||
| Character Theme Medley (From "Final Fantasy VI") | Nobuo Uematsu | G Minor | 3 | 6A | 95 BPM | ||
| Desire for All That is Lost | Project Destati | E Major | 4 | 12B | 99 BPM | ||
| Rulings and Revelations -OMNIS LACRIMA- | 下村 陽子 | C Minor | 4 | 5A | 133 BPM | ||
| Final Fantasy X (Piano Concerto): III. Kessen | Nobuo Uematsu, Masashi Hamauzu, London Symphony Orchestra, Katharina Treutler, Eckehard Stier | G Minor | 3 | 6A | 80 BPM | ||
| Another World of Beasts (From "Final Fantasy VI") | Pontus Hultgren | B Major | 2 | 1B | 90 BPM | ||
| Warrior Goddess | Masashi Hamauzu | G Major | 6 | 9B | 108 BPM | ||
| ルミナのテーマ | Naoshi Mizuta, Masashi Hamauzu | E Minor | 1 | 9A | 99 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Final Fantasy X (Piano Concerto): I. Zanarkand | Nobuo Uematsu, Masashi Hamauzu, London Symphony Orchestra, Katharina Treutler, Eckehard Stier | D♭ Major | 1 | 3B | 101 BPM | ||
| Blinded by Light (From "Final Fantasy XIII") | Masashi Hamauzu | F♯ Minor | 4 | 11A | 144 BPM | ||
| Guild Wars Live | Czech Philharmonic Chamber Orchestra & Kuehn's Mixed Choir | D♭ Major | 8 | 3B | 136 BPM | ||
| Apotheosis | Austin Wintory | B Minor | 3 | 10A | 168 BPM | ||
| Zanarkand (Final Fantasy X) | Nobuo Uematsu | B Minor | 2 | 10A | 81 BPM | ||
| The Dragon Boy (From 'Spirited Away') | Anime Kei | C Minor | 2 | 5A | 120 BPM | ||
| Dispossession - Pluck Ver. | SQUARE ENIX MUSIC | G Major | 0 | 9B | 100 BPM | ||
| Summer Fields | Danny Elfman & Russell Shaw | B Major | 1 | 1B | 77 BPM | ||
| Midna's Desperate Hour | Thomas | A Minor | 0 | 8A | 131 BPM | ||
| Eruyt Village (From "Final Fantasy XII") | Hitoshi Sakimoto | E Major | 1 | 12B | 130 BPM | ||
| The Frostlands | Yasunori Nishiki | D♭ Major | 1 | 3B | 164 BPM | ||
| One Summer's Day | Joe Hisaishi, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Red Like Roses (Red) | Videri String Quartet | D Major | 3 | 10B | 104 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | D♭ Major | 0 | 3B | 82 BPM |