Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki's ' "Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Beweis dein Macht, Herr Jesu Christ (Chorus)" was released on its scheduled release date, July 1, 2007. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 25 in Bach, J.S.: Cantatas, Vol. 36 - Bwv 6, 42, 103, 108 by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Beweis dein Macht, Herr Jesu Christ (Chorus) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Beweis dein Macht, Herr Jesu Christ (Chorus) by Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in D Minor: Adagio | Alessandro Marcello, Janos Sebestyen | C Minor | 0 | 5A | 68 BPM | ||
| I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | ||
| Aus tiefer Not | Heinrich Schütz, Vox Luminis, Lionel Meunier, Haru Kitamika | A Minor | 1 | 8A | 166 BPM | ||
| Schlummert ein (BWV 82) | Voices Of Music | F♯ Major | 0 | 2B | 117 BPM | ||
| Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | F♯ Major | 3 | 2B | 115 BPM | ||
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
| Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
| Magnificat in D Major, BWV 243: Esurientes implevit bonis (Alto) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 122 BPM | ||
| Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
| Matthäus-Passion, BWV 244, Seconda parte: Nr.36. Und der Hohepriester antwortete (Evangelista, Pontifex, Jesus) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Christian Immler, Stéphane Degout | A♭ Minor | 0 | 1A | 98 BPM | ||
| I. Die Elenden Sollen Essen BWV 75, Prima Parte, 1. Coro : Die Elenden Sollen Essen | Pieter Jan Leusink, Peter Frankenberg, Knut Schoch, Sytse Buwalda, Ruth Holton, Johann Sebastian Bach, Bas Ramselaar, Susan Williams | B Major | 4 | 1B | 93 BPM | ||
| St. Matthew Passion, BWV 244, Pt. 2: No. 39, Aria. Erbarme dich (Alto) | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
| Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
| Dixit Dominus, HWV 232: VI. Chorus "Dominus a dextris tuis" | George Frideric Handel, Vox Luminis, Lionel Meunier, Caroline Weynants, Kristen Witmer, Robert Buckland, Sebastian Myrus | D♭ Minor | 2 | 12A | 88 BPM | ||
| Hail! bright Cecilia, Z. 328: II. Hail! Bright Cecilia! | Henry Purcell, Collegium Vocale Gent, Philippe Herreweghe, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
| IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
| Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | E♭ Major | 1 | 5B | 168 BPM | ||
| I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
| O Ewigkeit, du Donnerwort, BWV 60: Aria. O Ewigkeit, du Donnerwort (Alto, Tenor) | Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 137 BPM | ||
| III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: III. Andantino, dolce | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 173 BPM | ||
| Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
| Mass in B Minor, BWV 232: Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 4 | 3B | 88 BPM | ||
| Misa Tango: I. Kyrie | MartÍn Palmeri, Astoria, Philippe Gérard | G Minor | 0 | 6A | 112 BPM |