Laurent Ziliani, Thomas Parisch's 'Jake in China' had a release date set for November 14, 2012. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 151 in the song's album "Resident Evil 6 Original Soundtrack". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Japan. In terms of popularity, Jake in China is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Jake in China by Laurent Ziliani, Thomas Parisch having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breakthrough | Harry Gregson-Williams | D♭ Minor | 7 | 12A | 160 BPM | ||
| Fifth Generation | TADAYOSHI MAKINO | G Major | 5 | 9B | 124 BPM | ||
| Phantom Chase | Tomandandy | D♭ Major | 9 | 3B | 155 BPM | ||
| Meet the Remnants | Bobby Tahouri | C Minor | 3 | 5A | 140 BPM | ||
| That Lake Is Wrong | Samuel Laflamme | A♭ Major | 4 | 4B | 122 BPM | ||
| The Atlas | Bobby Tahouri | B Major | 2 | 1B | 108 BPM | ||
| Adrenaline Overdrive | Jason Solowsky | F Minor | 5 | 4A | 157 BPM | ||
| Your Caresses | kensy Mansk | F♯ Major | 2 | 2B | 110 BPM | ||
| Hidden Flaws | David Buckley | B♭ Major | 1 | 6B | 120 BPM | ||
| We're Finally Here | Capcom Sound Team, Laurent Ziliani, Thomas Parisch | A♭ Major | 1 | 4B | 73 BPM | ||
| What's Going On? | Zhenlan Kang | B Major | 3 | 1B | 83 BPM | ||
| Hello Mommy | Marc Streitenfeld | F♯ Minor | 7 | 11A | 96 BPM | ||
| World Tour | Jurther | B Minor | 1 | 10A | 125 BPM | ||
| Swarm of Bombs | Laurent Ziliani, Thomas Parisch | G Major | 5 | 9B | 115 BPM | ||
| I'm So Scared, Leon | 大本望美 | B♭ Minor | 0 | 3A | 74 BPM | ||
| Radec's Personal Guards | Joris de Man | E Minor | 7 | 9A | 62 BPM | ||
| On the Horizon | 大本望美 | C Minor | 1 | 5A | 68 BPM | ||
| ConflagrationⅡ | Zhenlan Kang | D♭ Major | 8 | 3B | 160 BPM | ||
| Left Earth | Wilfred Rockell, Maendi | F Minor | 4 | 4A | 130 BPM | ||
| You're Going To Be Spectacular | David Buckley | E♭ Major | 1 | 5B | 176 BPM | ||
| Laboratory | Azusa Kato | A♭ Major | 5 | 4B | 150 BPM | ||
| Parting with Marvin | Zhenlan Kang | C Minor | 1 | 5A | 77 BPM | ||
| Leon and Claire Meet | TADAYOSHI MAKINO | D Major | 6 | 10B | 72 BPM | ||
| Romantic Vision | Kaptain, Thomas Parisch, Laurent Ziliani | A Minor | 6 | 8A | 78 BPM | ||
| Normal End Title | Capcom Sound Team | F Major | 2 | 7B | 143 BPM |