"Saving Danny" by Michael Kamen had its release date on 1993. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Kamen's "Last Action Hero (Original Motion Picture Score)" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Saving Danny's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saving Danny by Michael Kamen to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reunion | Burkhard Dallwitz | E♭ Major | 2 | 5B | 111 BPM | ||
| Charlie In The Oval Office | W.G. Snuffy Walden | D Major | 2 | 10B | 67 BPM | ||
| Launch | Trevor Rabin | C Major | 4 | 8B | 69 BPM | ||
| Reprise / Fly Away | John Ottman | E Minor | 3 | 9A | 64 BPM | ||
| Symphony No.7 in A, Op.92: 2. Allegretto | Ludwig van Beethoven, Seattle Symphony Orchestra, Michael Kamen | E Minor | 0 | 9A | 106 BPM | ||
| An Unlikely Outcome - Score | Brian Tyler | C Major | 0 | 8B | 146 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| I’ll Always Be Looking For You | Blake Neely | E♭ Major | 0 | 5B | 109 BPM | ||
| Ada Plays | Gabriel Yared | D Major | 0 | 10B | 79 BPM | ||
| Meet Martin Riggs | Eric Clapton, Michael Kamen | E Minor | 1 | 9A | 81 BPM | ||
| End Credits | James Horner, London Symphony Orchestra | G Major | 0 | 9B | 62 BPM | ||
| Theme from Mystic River | Clint Eastwood | F Major | 0 | 7B | 131 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| The Funeral - From the Film "American Sniper" | Silver Screen Sound Machine | B♭ Major | 1 | 6B | 79 BPM | ||
| The Desert | Eric Clapton, Michael Kamen | E Minor | 5 | 9A | 145 BPM | ||
| Midway Main Theme | Thomas Wander, Harald Kloser | G Major | 1 | 9B | 175 BPM | ||
| Casualties Of war | Christopher Lennertz | A♭ Major | 1 | 4B | 81 BPM | ||
| Daisy, Daisy (Anita Goes Swimming) | Michael Kamen | F Major | 2 | 7B | 116 BPM | ||
| The Glade Part II | Trevor Jones | C Major | 1 | 8B | 81 BPM | ||
| Gone With The Wind | DLG Orchestra | C Major | 3 | 8B | 136 BPM | ||
| The Last Giant Piece | Michael Kamen | F Major | 1 | 7B | 105 BPM | ||
| The Greatest Game Ever Played - Score | Brian Tyler | C Major | 2 | 8B | 82 BPM | ||
| Stand Up (The Chicago 7) | Daniel Pemberton | D♭ Major | 3 | 3B | 79 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM |