Bijli Rani's ' "Bhauji Padhaav Chitthi" was released on its scheduled release date, March 24, 1999. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Bijli Rani's "Gawna Ki Ratiya" album is number 2 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Bhauji Padhaav Chitthi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bhauji Padhaav Chitthi by Bijli Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dharti Dai Ke | Swang Dewakar | D♭ Major | 9 | 3B | 126 BPM | ||
| Faqeerani Tabiyat Jo Munkhay | Shaman Ali Mirali | B Major | 7 | 1B | 119 BPM | ||
| Janme Avadh Mein Ram | Prem Prakash Dubey | D♭ Major | 8 | 3B | 105 BPM | ||
| Tahi Mola Baiha Banaye | Gofelal Gendle, Savitri Gendle | C Major | 8 | 8B | 120 BPM | ||
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Aana Re Guiya | Dilip Shadangi, Anita Mandal | A♭ Minor | 9 | 1A | 74 BPM | ||
| Sabariu Zhinu Zhinu Vage | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| Lotan Kabutar Atariya Ke Ooper | Bijli Rani | F Minor | 8 | 4A | 102 BPM | ||
| Ghot Ji Maan Tokhay Lakh Mubarkon | Fozia Soomro | B Major | 7 | 1B | 119 BPM | ||
| Ka Bhaile Matiya Mein | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Saath Go Swaad Ba | Bijli Rani | D♭ Major | 5 | 3B | 131 BPM | ||
| Mere Malik Ke Darbar Me | Devendra Pathak | A♭ Major | 9 | 4B | 167 BPM | ||
| Seeti Maare Daudi Rehiya Mein | Naresh Kumar Yadav, Bijli Rani | D Minor | 7 | 7A | 109 BPM | ||
| Maar Deb Goli Kehu Na Boli | Radhe Shyam Rasiya, Indu Sonali | B♭ Minor | 8 | 3A | 159 BPM | ||
| Darshan De Do Ambay Maiya | Poonam Mishra | C Minor | 8 | 5A | 155 BPM | ||
| Jogiya Ek Ham Dekhlaun | Rajni Pallavi | D Major | 7 | 10B | 90 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Tu Tya Kathavar Mi Ya Kathavar | Yuvraj Pradhan | A♭ Major | 8 | 4B | 80 BPM | ||
| Par Ghar Preet Mat Kije | Prakash Mali | C Minor | 9 | 5A | 90 BPM | ||
| Khadi Hu Dar Mai Bhole Chadau Kya Tumhe Bhole | Chanchal Prajapati | D♭ Major | 9 | 3B | 120 BPM | ||
| Kan Kan Su Gunje Jay Jay Rajasthan | Prakash Mali | B♭ Minor | 7 | 3A | 87 BPM | ||
| Bondhu Tin Tinta Chithi Dilam | Momtaz | G Major | 6 | 9B | 160 BPM | ||
| Thi Wayo Aa Bewafa | Bashir Jatoi | C Major | 10 | 8B | 124 BPM | ||
| Bewafa Tha Wafa Bhi Kya Karta | Dilshad Zakhmi | G Minor | 8 | 6A | 108 BPM |