Various World Reknowed Orchestras And Conductors's 'Hungarian Dance #7' had a release date set for January 1, 2006. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Hungarian Dance #7's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Hungarian Dance #7 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hungarian Dance #7 by Various World Reknowed Orchestras And Conductors is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pavanne To A Dead Princess | Various World Reknowed Orchestras And Conductors | G Major | 0 | 9B | 99 BPM | ||
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Minute Waltz | Various World Reknowed Orchestras And Conductors | D Major | 2 | 10B | 107 BPM | ||
| Faust, CG 4, Ballet Music: VI. Variations du miroir. Allegretto | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Paradise of Body | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D Minor | 3 | 7A | 100 BPM | ||
| Scheherazade the Young Prince and the Princess | Olive the Otter Dog | C Major | 0 | 8B | 80 BPM | ||
| Don Quixote, Act III: Dream of Don Quixote | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Coppelia Ballet Suite | Various World Reknowed Orchestras And Conductors | E Major | 2 | 12B | 94 BPM | ||
| Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | ||
| Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | C Major | 2 | 8B | 173 BPM | ||
| Personas Influyentes | Sirenas Celestiales | F♯ Minor | 1 | 11A | 130 BPM | ||
| Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 107 BPM | ||
| Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
| Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
| Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
| La Bayadere: 10. "Pas De Deux - Nikiya and Solor - Slower Tempo" (Bonus Track) | Evergreen Symphony Orchestra, Kevin Galiè | B♭ Major | 0 | 6B | 67 BPM | ||
| Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E Minor | 1 | 9A | 106 BPM | ||
| Wiener Träume | Helene von Alpenheim | F Major | 0 | 7B | 83 BPM | ||
| Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM |