"Requiem for Yesterday" by David Snell had its release date on January 1, 1977. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Snell's "Kpm 1000 Series: The Classical Harp" album is number 10 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Requiem for Yesterday is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem for Yesterday by David Snell to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Birth | Cliff Eidelman | D Major | 1 | 10B | 74 BPM | ||
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| Such Stuff That Dreams Are Made of | Conrad Pope | E Major | 1 | 12B | 88 BPM | ||
| I Spy Something Green | Theodore Shapiro | B Major | 1 | 1B | 68 BPM | ||
| Baby Walks | David Newman | G Major | 3 | 9B | 118 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Classical Overture | David Snell | A♭ Minor | 9 | 1A | 124 BPM | ||
| Brideshead Revisited: No. 5, A Crock of Gold | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 75 BPM | ||
| The Black Stallion (Theme Reprise) | Czech Philharmonic Chamber Orchestra | E Major | 2 | 12B | 121 BPM | ||
| Dinner Is Served | Howard Shore | F Minor | 1 | 4A | 67 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Are You Hearing This / Charlie's Sweet Inner Nature | Rolfe Kent | C Major | 0 | 8B | 79 BPM | ||
| Frank Churchill Arrives (From "Emma" 1996 Film) | An Eligible Quartet | G Major | 1 | 9B | 120 BPM | ||
| Gershwin / Arr. Riddle: They Can't Take That Away from Me | George Gershwin, Yehudi Menuhin, Allan Ganley, David Snell, Derek Price, Eddie Tripp, Laurie Holloway, Martin Taylor, Ray Swinfield, Nelson Riddle | G Major | 2 | 9B | 101 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| The Wind | Jan A.P. Kaczmarek | E Minor | 2 | 9A | 67 BPM | ||
| Truman Sleeps | Philip Glass | A♭ Major | 1 | 4B | 109 BPM | ||
| Titanic | The Chamber Orchestra Of London | A♭ Minor | 1 | 1A | 71 BPM | ||
| The Lost Child Orchestral Suite | Mark McKenzie | D Major | 1 | 10B | 68 BPM | ||
| Kalida | Andrea Guerra | G Major | 1 | 9B | 103 BPM | ||
| Rendezvous | David Snell | B♭ Major | 3 | 6B | 170 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM |