"Joonas, Scene 3: Aaria. Sinu tahet (Jonah)" by Rudolf Tobias, Taavi Tampuu, Tallinn Chamber Orchestra, Tõnu Kaljuste had its release date on November 7, 2025. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Tobias: Joonas". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Finland. In terms of popularity, Joonas, Scene 3: Aaria. Sinu tahet (Jonah) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Joonas, Scene 3: Aaria. Sinu tahet (Jonah) by Rudolf Tobias, Taavi Tampuu, Tallinn Chamber Orchestra, Tõnu Kaljuste having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: V. Infirma nostri corporis II - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| Petite messe solennelle, Credo: XIII. Et vitam venturi | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | E Major | 2 | 12B | 114 BPM | ||
| Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
| Pastoral Mass in G Major, Op. 24: III. Credo | Karl Kempter, Augsburger Domsingknaben, Reinhard Kammler | G Major | 1 | 9B | 145 BPM | ||
| Madrigali a cinque voci, Libro quarto: No. 1, Luci serene e chiare | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 73 BPM | ||
| Petite messe solennelle, Gloria: V. Gratias | Gioachino Rossini, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | A Major | 1 | 11B | 99 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Marcus Creed | C Major | 1 | 8B | 81 BPM | ||
| Aaria, Sairasten Parantaja (Myrskyn Keskellä) | Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
| Des Jona Sendung (Jonah's Mission): Hilf uns, wir verderben [Chorus] | Rudolf Tobias, Pille Lill, Urve Tauts, Peter Svensson, Mati Palm, Ines Maidre, Oratorio Choir, Tallinn Boys Choir, Estonian Philharmonic Chamber Choir, Estonian State Symphony Orchestra, Neeme Järvi | F♯ Minor | 0 | 11A | 87 BPM | ||
| Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | A Major | 2 | 11B | 125 BPM | ||
| Grande Messe des Morts: XVII. Sequentia: Pie Jesu - Amen: Andante | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 123 BPM | ||
| Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum | Wolfgang Amadeus Mozart, Luzerner Sinfonieorchester, Michael Sanderling, Alexandros Stavrakakis, Fatma Said, Marianne Crebassa, Pene Pati | A Minor | 2 | 8A | 89 BPM | ||
| Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
| 3 Liriche, P. 099a (Orch. Salvatore Di Vittorio): No. 1, Notte | Ottorino Respighi, Alessandra Visentin, Chamber Orchestra of New York, Salvatore Di Vittorio | F Major | 1 | 7B | 75 BPM | ||
| Largo "Wisset Ihr Nicht" (Arr. A. Topman for Organ) | Rudolf Tobias, Ines Maidre | D Minor | 2 | 7A | 143 BPM | ||
| Joonas, Scene 2: Nii kui Joonas kord kolm päeva (Chorus) | Rudolf Tobias, Tallinn Chamber Orchestra, Tõnu Kaljuste, Chorus Mysticus | A Major | 1 | 11B | 92 BPM | ||
| Stabat Mater: Stabat Mater: VIII. Fac ut ardeat cor meum | Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra | D♭ Minor | 1 | 12A | 136 BPM | ||
| Gossec: Messe des morts: XXII. Pie Jesu | Francois-Joseph Gossec, Louis Devos, Howard Crook, Kurt Widmer, Maastricht Conservatory Chamber Choir, Musica Polyphonica | B Major | 2 | 1B | 119 BPM | ||
| Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 2 | 10B | 99 BPM | ||
| Joonas, Scene 1: Kuhu ma lähen Su vaimu eest? (Chorus, Tenor) | Rudolf Tobias, Estonian Philharmonic Chamber Choir, Mati Turi, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 92 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Dixit Dominus, HWV 232: IX. De torrente in via | George Frideric Handel, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
| Missa Circumcisionis, ZWV 11: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F♯ Minor | 1 | 11A | 167 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM |