"Sonata prima - Desaccòrd: II. Tranquillo" by Raffaele Bellafronte, Alessandro Deljavan had its release date on September 28, 2022. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 20 in Bellafronte: Piano Sonatas, 12 Preludes by Raffaele Bellafronte, Alessandro Deljavan. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Sonata prima - Desaccòrd: II. Tranquillo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata prima - Desaccòrd: II. Tranquillo by Raffaele Bellafronte, Alessandro Deljavan is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse | Amy Beach, Alessandro Clerici, Elena Brunello | D Major | 0 | 10B | 73 BPM | ||
| Mélancolie, Op. 23 (Version for 2 Guitars) | José Ferrer, Jørgen Skogmo, Jens Franke | E Major | 0 | 12B | 84 BPM | ||
| Fantasía Chalumeau | Gabriel Andrés Gallegos | B♭ Major | 0 | 6B | 80 BPM | ||
| Toward the Sea: No. 1, The Night | Toru Takemitsu, Irene Kalisvaart, Britta Jacobs | D Minor | 0 | 7A | 67 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Natalia Lomeiko, Iván Martín | E♭ Major | 0 | 5B | 113 BPM | ||
| Uppon La Mi Re (Arr. for Solo Lute by Thibaut Roussel) | Thomas Preston, Thibaut Roussel | D♭ Major | 0 | 3B | 127 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | E♭ Major | 0 | 5B | 113 BPM | ||
| Saudade (When We Are Born) | Gian Marco Ciampa | E♭ Major | 0 | 5B | 113 BPM | ||
| Tanto Espaço | Slava Grigoryan, Sharon Grigoryan | D Major | 0 | 10B | 115 BPM | ||
| For Five…: II. Appassionato | Raffaele Bellafronte, Italiamusica Quintet | A♭ Major | 2 | 4B | 101 BPM | ||
| Suite compostelana: V. Cancion | Federico Mompou, Scott Tennant | A Minor | 0 | 8A | 82 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E♭ Major | 0 | 5B | 113 BPM | ||
| Serenade (Spanish Dance), Op. 54, No. 1 | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | G Major | 0 | 9B | 87 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Cello Sonata, FP 143: I. Allegro. Tempo di marcia | Francis Poulenc, Lidy Blijdorp, Pascal Rogé | E♭ Major | 0 | 5B | 113 BPM | ||
| The Lark | Mikhail Glinka, Dmitri Ferschtman, Mila Baslawskaja | E Minor | 1 | 9A | 92 BPM | ||
| Vals No. 18 in E Major | Pedro Ximénez Abril y Tirado, Christopher Avilez | E♭ Major | 0 | 5B | 113 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Canción y danza | Federico Mompou, Anja Lechner, François Couturier | E♭ Minor | 0 | 2A | 79 BPM | ||
| Despuntando el vicio | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Romance del los Pinos | Federico Moreno Torroba, Hannah Murphy | E Major | 1 | 12B | 167 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| Bottesini: Double Bass Concerto No. 2 in B Minor: II. Andante | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | G Major | 1 | 9B | 72 BPM |