"Diaphonic Suite No. 1 for Oboe: III. Allegro" by Ruth Crawford Seeger, Christian Hommel had its release date on January 1, 2000. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Ruth Crawford Seeger: Chamber Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Diaphonic Suite No. 1 for Oboe: III. Allegro is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Diaphonic Suite No. 1 for Oboe: III. Allegro by Ruth Crawford Seeger, Christian Hommel having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D Major | 0 | 10B | 77 BPM | ||
| L'enfant et les sortilèges, M. 71, Pt. 1: J'ai pas envie de faire ma page! | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | D Major | 0 | 10B | 138 BPM | ||
| Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
| Concerto for 2 Pianos and Orchestra: IV. Finale alla Tedesca | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D♭ Major | 0 | 3B | 87 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Chant du rossignol: Le chant du rossignol | Igor Stravinsky, Seattle Symphony Orchestra, Gerard Schwarz | D Minor | 1 | 7A | 135 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| 4 Etudes de rythme: Mode de valeurs et d'intensites (Mode of Durations and Intensities) | Olivier Messiaen, Håkon Austbø | E Major | 0 | 12B | 112 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | D Major | 6 | 10B | 98 BPM | ||
| Schoenberg: 3 Piano Pieces, Op. 11: No. 3, Bewegt Achtel | Arnold Schoenberg, Daniel Barenboim | B♭ Minor | 1 | 3A | 112 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Diaphonic Suite No. 4: II. Andante cantando | Ruth Crawford Seeger, Christian Hommel, Helmut Menzler | C Major | 3 | 8B | 79 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Turangalîla Symphonie: 5. Joie du sang des étoiles | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E♭ Minor | 5 | 2A | 121 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Suite for Wind Quintet and Piano: III. Allegro con brio | Ruth Crawford Seeger, Jayn Rosenfeld, Marsha Heller, John Craig Barker, Cynde Iverson, Daniel Grabois, Cheryl Seltzer, Joel Sachs | D Major | 0 | 10B | 174 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Reflection, Op. 31a | Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins | D Major | 6 | 10B | 98 BPM | ||
| Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | A Major | 0 | 11B | 81 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Diaphonic Suite No. 1 for Oboe: II. Andante | Ruth Crawford Seeger, Christian Hommel | C Major | 3 | 8B | 79 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM |