"Handel: Keyboard Suite in F Major, HWV 427: I. Adagio" by George Frideric Handel, Sviatoslav Richter had its release date on 1982. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Andrei Gavrilov/Sviatoslav Richter's "Handel: Keyboard Suites Vol. I" album is number 5 out of 38. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Handel: Keyboard Suite in F Major, HWV 427: I. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Keyboard Suite in F Major, HWV 427: I. Adagio by George Frideric Handel, Sviatoslav Richter to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | ||
| Partita II in do menore : Andante elegiaco | Lazar Berman | C Minor | 1 | 5A | 97 BPM | ||
| Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: II. Andante | Felix Mendelssohn, Quatuor Ébène, Belcea Quartet | F Minor | 1 | 4A | 75 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.5 in D major BWV874 | Daniel Barenboim | D Major | 0 | 10B | 92 BPM | ||
| 6 Moments musicaux, D. 780: No. 2, Andantino | Franz Schubert, Alfred Brendel | A♭ Major | 0 | 4B | 66 BPM | ||
| Waldszenen, Op. 82: No. 1 Eintritt | Robert Schumann, Maria João Pires | B♭ Major | 0 | 6B | 126 BPM | ||
| Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 1 in C Major | Dmitri Shostakovich, Keith Jarrett | C Major | 0 | 8B | 75 BPM | ||
| Deuxieme livre, Suite en Mi: III. Gigue en rondeau | Jean-Philippe Rameau, Alexander Paley | E Minor | 0 | 9A | 67 BPM | ||
| Piano Concerto in D Major, Wq. 11: I. Allegro di molto | Carl Philipp Emanuel Bach, Michael Rische, Berliner Barock Solisten | F Minor | 1 | 4A | 75 BPM | ||
| Suite No. 3 in D Minor, HWV 428: II. Allegro | George Frideric Handel, Dina Ugorskaja | D Minor | 2 | 7A | 121 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| The Well-Tempered Clavier, Book I: No. 1 in C Major, BWV 846: II. Fugue | Johann Sebastian Bach, Sviatoslav Richter | C Minor | 3 | 5A | 129 BPM | ||
| Piano Sonata No. 1, Op. 2 No. 1: II. Adagio | Ludwig van Beethoven, Axel Gillison | C Major | 0 | 8B | 67 BPM | ||
| Chanson triste, Op. 40: No. 2 | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter | G Minor | 0 | 6A | 101 BPM | ||
| D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | ||
| Les tendres plaintes—Rondeau, RCT 3/1 - Recording 2021 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
| The Well-Tempered Clavier, Book I: No. 2 in C Minor, BWV 847: II. Fugue | Johann Sebastian Bach, Sviatoslav Richter | C Minor | 4 | 5A | 168 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Sonata in E Major, K 206 | Domenico Scarlatti, Murray Perahia | B Major | 0 | 1B | 66 BPM | ||
| Vexations (Pages mystiques No. 2): Très lent - Thème | Erik Satie, Jean-Marc Luisada | D♭ Major | 1 | 3B | 70 BPM | ||
| No. 2 in A Major. Allegro ma non troppo | Josef Mysliveček, Clare Hammond | A Major | 0 | 11B | 126 BPM | ||
| Sonata in A Major K.429 - Duo-Art 68030 -1- | Alessandro Scarlatti, Alfred Kugel, Peter Phillips | F Minor | 1 | 4A | 75 BPM | ||
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | ||
| String Quintet in C Major, D. 956: II. Adagio | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | E Major | 1 | 12B | 75 BPM | ||
| 24 Préludes, Op. 28: No. 15 in D-Flat Major ("Raindrop") | Frédéric Chopin, Maria João Pires | D♭ Major | 0 | 3B | 69 BPM |