"D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus)" by Jean-Henri d'Anglebert, Alexandre Tharaud had its release date on November 15, 2019. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Versailles by Alexandre Tharaud. The song's track number on the album is #7 out of 21 tracks. D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) by Jean-Henri d'Anglebert, Alexandre Tharaud has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Concerto No. 5 in B-Flat Major: II. Adagio | Carl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes Schlaefli | A Major | 0 | 11B | 115 BPM | ||
| Adagio in D Minor, BWV 974: I. Allegro | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 3 | 7A | 96 BPM | ||
| Trio in A Major (Hob. XV:18): II. Andante | Joseph Haydn, Gryphon Trio | B Minor | 0 | 10A | 89 BPM | ||
| Spanish Rhythms No.2 (Tientos) - Duo-Art 6299 | Raoul Laparra, Peter Phillips | D Minor | 2 | 7A | 96 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Piano Sonata No. 9 in D Major, K. 311: III. Rondo - Allegro | Wolfgang Amadeus Mozart, Mao Fujita | E♭ Major | 0 | 5B | 198 BPM | ||
| Nocturne No. 16 in C Major, H.60 | John Field, Elizabeth Joy Roe | G Major | 1 | 9B | 70 BPM | ||
| Blumenleben, Op. 19: No. 4, Vergißmeinnicht | Dora Pejačević, Natasa Veljkovic | A♭ Major | 0 | 4B | 72 BPM | ||
| Du bist die Ruh, D 776 | Nils Mönkemeyer | E♭ Major | 0 | 5B | 68 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau, Thomas Dunford | A♭ Minor | 1 | 1A | 76 BPM | ||
| On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! | Leoš Janáček, Lars Vogt | G Major | 0 | 9B | 129 BPM | ||
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau, Thomas Dunford | B Minor | 1 | 10A | 83 BPM | ||
| Keyboard Sonata in G Major, Op. 17, No. 4, W. A10: I. Allegro | Johann Christian Bach, Alberto Nosè | G Major | 1 | 9B | 124 BPM | ||
| 6 Klaviertstücke: No. 5 in E Minor, MWV U 18 | Felix Mendelssohn, Roberto Prosseda | D Major | 0 | 10B | 73 BPM | ||
| Flute Trios, Op. 71, P. 263: No. 2 in E Minor: IV. All'ungarese. Allegretto moderato | Franz Danzi, Anna Kaiser, Lorenzo Gabriele, Johannes Berger | D Minor | 2 | 7A | 96 BPM | ||
| 7 Morceaux de salon, Op. 10: No. 6, Romance | Sergei Rachmaninoff, Boris Giltburg | D Minor | 2 | 7A | 96 BPM | ||
| Nocturne No. 11 in E-Flat Major. Moderato | John Field, John O'Conor | G Minor | 0 | 6A | 135 BPM | ||
| Handel: Keyboard Suite in F Major, HWV 427: I. Adagio | George Frideric Handel, Sviatoslav Richter | D Minor | 0 | 7A | 176 BPM | ||
| Keyboard Sonata in F Major, Wq. 54/1: II. Allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 1 | 7B | 140 BPM | ||
| Suite en Sol Majeur, RCT 6: II. L'Indifférente | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 1 | 6A | 144 BPM | ||
| Keyboard Sonata in F-Sharp Minor, Wq. 52/4, H. 37: II. Poco andante | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Major | 2 | 12B | 162 BPM | ||
| ブルクミュラー25の練習曲: 13. コンソレーション (なぐさめ) | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| 別れ(「森の情景 作品82」から) | Robert Schumann, 石井琢磨 | B♭ Major | 0 | 6B | 144 BPM |