- BPM
- 70
- Key
- A Minor
- Camelot
- 8A
String Quartet No. 2: I. Violently Intense, Relentless by Andrew Rindfleisch, JACK Quartet Song Details
"String Quartet No. 2: I. Violently Intense, Relentless" by Andrew Rindfleisch, JACK Quartet had its release date on January 30, 2026. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 5 in Andrew Rindfleisch: String Quartets Nos. 1 & 2 by Andrew Rindfleisch, JACK Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. String Quartet No. 2: I. Violently Intense, Relentless is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of String Quartet No. 2: I. Violently Intense, Relentless by Andrew Rindfleisch, JACK Quartet is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -8.014 dB
- Acousticness
- 96%
- Danceability
- 27%
- Energy
- 53%
- Instrumentalness
- 86%
- Liveness
- 12%
- Loudness
- 87%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Donnacha Dennehy: Land of Winter: VIII. July | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | |
 | Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | |
 | Reich/Richter: Opening | Steve Reich, Ensemble Intercontemporain, George Jackson | F♯ Major | 1 | 2B | 94 BPM | |
 | Akhnaten, Act II: Dance | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Metropolitan Opera Orchestra | B♭ Major | 0 | 6B | 91 BPM | |
 | Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | |
 | Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | |
 | In the Light of Air: I. Luminance | Anna Thorvaldsdottir, International Contemporary Ensemble | D Minor | 5 | 7A | 176 BPM | |
 | String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | |
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | |
 | Pause or Breathe | Paul Smith, Christophe Duquesne, Teena Lyle, Daniela Mars, Neil Valentine | A Minor | 1 | 8A | 124 BPM | |
 | Opening Veins | Andrew Rindfleisch, Slee Sinfonietta | C Major | 1 | 8B | 129 BPM | |
 | String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | |
 | A Trace of Salt | Emilie Levienaise-Farrouch | D♭ Minor | 1 | 12A | 85 BPM | |
 | 4 Fanfares for 2 Trumpets: No. 1, Strict, relentless | Andrew Rindfleisch, Meridian Arts Ensemble | F Major | 0 | 7B | 80 BPM | |
 | Folding | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | |
 | Arrest | Daniel Blumberg | G Major | 5 | 9B | 75 BPM | |
 | UBIQUE: Part I | Anna Thorvaldsdottir, Claire Chase, Cory Smythe, Katinka Kleijn, Seth Parker Woods | D♭ Major | 6 | 3B | 81 BPM | |
 | Beyond the Stars | Astrid Voix | G Major | 5 | 9B | 75 BPM | |
 | Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | |
 | Wallfahrtslied (Pilgrim's Song) | Arvo Pärt, Angèle Dubeau, La Pietà | E Minor | 1 | 9A | 89 BPM | |
 | Abstractions: III. Seascape (Inspired by Hiroshi Sugimoto's Caribbean Sea, Jamaica, 1980) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 66 BPM | |
 | 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | |
 | Sarabande for Four No.1 Op.1 | Rebekah Reid | G Major | 1 | 9B | 130 BPM | |
 | Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | |
 | Märchentänze (Orchestral Version): III. A Skylark for Jane | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 0 | 11A | 117 BPM |
- ISRC
- USPMZ2610202
- Label
- L-M Records/RCA Records