Passengers's ' "Beach Sequence" was released on its scheduled release date, January 1, 1995. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Original Soundtracks 1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. The popularity of Beach Sequence is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Beach Sequence by Passengers having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viva Davidoff | Passengers | A♭ Minor | 1 | 1A | 110 BPM | ||
| The Monkey King | William Orbit | A Minor | 0 | 8A | 192 BPM | ||
| Blueski - Remastered | Underworld | E♭ Major | 1 | 5B | 134 BPM | ||
| Hollywood Sunset | Barry Adamson | B Major | 3 | 1B | 148 BPM | ||
| July 23 | Fila Brazillia | A Minor | 2 | 8A | 112 BPM | ||
| Lever Street | Death In Vegas | C Major | 4 | 8B | 175 BPM | ||
| Hinterland | Strange Cargo, William Orbit | G Major | 2 | 9B | 137 BPM | ||
| Our Lord Debussy | A Winged Victory for the Sullen, Adam Bryanbaum Wiltzie, Dustin O'Halloran | C Major | 2 | 8B | 70 BPM | ||
| Waiting in Arisaig | Lord Of The Isles | A Minor | 5 | 8A | 103 BPM | ||
| Anomic | Marconi Union, Jah Wobble | B Minor | 6 | 10A | 160 BPM | ||
| Prana Light | Laraaji | G Major | 0 | 9B | 126 BPM | ||
| 87 Dreams Of A Lifetime | Patrick O'Hearn | F♯ Major | 3 | 2B | 100 BPM | ||
| Op. 132 | William Orbit | C Major | 1 | 8B | 84 BPM | ||
| Lux | Jane Weaver | F Major | 5 | 7B | 96 BPM | ||
| Wealth | Marconi Union, Jah Wobble | B Minor | 6 | 10A | 160 BPM | ||
| Blue Filter | Delia Derbyshire Appreciation Society | E♭ Major | 1 | 5B | 124 BPM | ||
| She Lives in Golden Sands | Neil Cowley | A Minor | 3 | 8A | 142 BPM | ||
| Lithium, the New Era | Adam Wiltzie | E♭ Major | 1 | 5B | 82 BPM | ||
| Eyes of the Moon - Edit | Seahawks | D♭ Major | 4 | 3B | 93 BPM | ||
| When Dreams Become Responsibility | Natalie Beridze | A Minor | 2 | 8A | 107 BPM | ||
| Zorg et Betty | Gabriel Yared | G Major | 0 | 9B | 69 BPM | ||
| The Cloud Room | Pan-American | A Major | 3 | 11B | 104 BPM | ||
| El Cid | Leftfield | D Minor | 2 | 7A | 70 BPM | ||
| Power Spot | Jon Hassell | C Major | 4 | 8B | 151 BPM | ||
| Oh, Memory | Julianna Barwick, Mary Lattimore | C Major | 3 | 8B | 70 BPM |