String Quartet No. 1 in E-Flat Major, Op. 12, MWV R25: IV. Molto allegro e vivace by Felix Mendelssohn, New Zealand String Quartet Song Details

Felix Mendelssohn, New Zealand String Quartet's ' "String Quartet No. 1 in E-Flat Major, Op. 12, MWV R25: IV. Molto allegro e vivace" was released on its scheduled release date, March 25, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, New Zealand String Quartet's "Mendelssohn, Felix: String Quartets, Vol. 1 - String Quartets Nos. 1, 4, 6" album is number 8 out of 12. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, String Quartet No. 1 in E-Flat Major, Op. 12, MWV R25: IV. Molto allegro e vivace is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

We consider the tempo marking of String Quartet No. 1 in E-Flat Major, Op. 12, MWV R25: IV. Molto allegro e vivace by Felix Mendelssohn, New Zealand String Quartet to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Music Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.486 dB
Acousticness: 97%
Danceability: 36%
Energy: 23%
Instrumentalness: 92%
Liveness: 14%
Loudness: 69%
Speechiness: 4%
Valence: 47%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction	Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest	D Major	1	10B	99 BPM
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Glinka / Arr Balakirev : The Lark	Mikhail Glinka, Izumi Tateno	B♭ Minor	1	3A	65 BPM
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	F♯ Minor	0	11A	84 BPM
Après un Rêve Op.7, No.1	Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa	F Minor	1	4A	96 BPM
Lieder ohne Worte, Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2	Felix Mendelssohn, Péter Nagy	F♯ Minor	1	11A	166 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM
Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia	Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein	A♭ Major	0	4B	96 BPM
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile	Carl Philipp Emanuel Bach, Christopher Hinterhuber	E Minor	1	9A	106 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem)	Richard Strauss, Raphaela Gromes, Julian Riem	F Major	0	7B	174 BPM