Chagdud Tulku Rinpoche's 'The Real Gold-Lama Tsering Translates' had a release date set for 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Visualization by Chagdud Tulku Rinpoche. The song's track number on the album is #30 out of 42 tracks. Based on our data, United States was the country where this track was produced or recorded. The Real Gold-Lama Tsering Translates is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since The Real Gold-Lama Tsering Translates by Chagdud Tulku Rinpoche has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Real Gold-Lama Tsering Translates being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 42, Surah Ash-Shura: 44-46 | mylordtakemeaway | A♭ Major | 1 | 4B | 42 BPM | ||
| Traditional Tibetan Folk Song | Chagdud Tulku Rinpoche | F Major | 1 | 7B | 121 BPM | ||
| Prosperity: Om Zambala Za Len Drah Yeh Soha | Deva Premal, The Gyuto Monks Of Tibet | D Major | 4 | 10B | 75 BPM | ||
| Devi Chandraghanta | Tritha | D Major | 0 | 10B | 129 BPM | ||
| One Can Always Call Upon Tara | Chagdud Tulku Rinpoche | D Major | 4 | 10B | 171 BPM | ||
| prārthanā | Shantala Sriramaiah | F Major | 0 | 7B | 135 BPM | ||
| Biko | Golddengurl33 | B Minor | 0 | 10A | 115 BPM | ||
| Ganesh Chants - Studio | Pandit Ajay Pohankar | F♯ Major | 4 | 2B | 140 BPM | ||
| Going Beyond One's Own Self-Interest | Chagdud Tulku Rinpoche | F♯ Major | 3 | 2B | 89 BPM | ||
| Mahalo Ke Akhua | Daniel Namkhay | A Minor | 1 | 8A | 125 BPM | ||
| Buddha: Om Muni Muni Mahamuni Soha | Deva Premal, The Gyuto Monks Of Tibet | A Minor | 3 | 8A | 139 BPM | ||
| Sirian Mermaid Chant | Ananda Frequencies | A♭ Major | 1 | 4B | 42 BPM | ||
| Closing Calls | Alonso Del Rio | A♭ Major | 8 | 4B | 129 BPM | ||
| Mantra de Parnashavari | Lama Dorje | B♭ Minor | 2 | 3A | 129 BPM | ||
| Maha Chunda Thera Bojjhanga Sutta | Zen Habits | D♭ Minor | 7 | 12A | 106 BPM | ||
| Humidity | Simjaragbu | E Minor | 0 | 9A | 95 BPM | ||
| อาทิตตปริยายสูตร | Ocean Media | D Major | 2 | 10B | 105 BPM | ||
| Yarama | Shegepiano | C Major | 0 | 8B | 91 BPM | ||
| My Eyes | Golddengurl33 | G Major | 0 | 9B | 168 BPM | ||
| Daily Grind | Havmoc | G Major | 0 | 9B | 69 BPM | ||
| Green Tara Mantras, Pt. 1 | Jamyang Sakya | A♭ Major | 1 | 4B | 121 BPM | ||
| Namokara Mantra - Chanting 108 Times | Shraddha Jain | A♭ Major | 0 | 4B | 131 BPM | ||
| Gran Compación | Lama Dorje | B♭ Minor | 2 | 3A | 177 BPM | ||
| 二十一度母禮讚文儀軌《前行》 | 白玉措嘉謝拉達吉林寺女尼僧眾 | D Major | 5 | 10B | 89 BPM | ||
| Vajrakilaya Mantra | Lama Rapjee Wangchuk | G Major | 4 | 9B | 82 BPM |